Korg Electronic Keyboard Manual de usuario

Parameter GuideParameter GuideParameter Guide

xDuration Parameters . . . . . . . . . . . . . . . . . . . . . . . 957Repeat Parameters . . . . . . . . . . . . . . . . . . . . . . . . . 958Bend Pa

Program mode: HD-190Gate chooses between two AMS inputs (or fixed values) based on a third AMS source. See “Gate” on page 93 for more information.A+BAM

Appendices990Use this when you wish to stop the phrase or pattern played by the KARMA module and simultaneously switch to realtime note generation by

MIDI transmission when the OASYS’s controllers are operated Dynamic MIDI Destinations991MIDI transmission when the OASYS’s controllers are operated

Appendices99239…63– ** * ******64 Damper * * * * * * * * * * *65 Portamento On/Off * * * * * * * * * * * *66 Sostenuto * * * * * * * * * * * *67 Soft

MIDI transmission when the OASYS’s controllers are operated Dynamic MIDI Destinations993(1): When a KARMA controller is assigned to a CC# indicated

Appendices994If the Status is INT or BTH, operating one of the OASYS’s controllers will affect only that MIDI track. Simultaneously, the same effect w

OASYS and MIDI CCs Responses to standard MIDI controllers995OASYS and MIDI CCsResponses to standard MIDI controllersThe following table shows how t

Appendices99631 KARMA LATCH On/Off control0…63(Off), 64…127(On)Equivalent to on/off when CC#14 is assigned to the KARMA LATCH switch*732 Bank select (

OASYS and MIDI CCs Responses to standard MIDI controllers997You can assign any control change number (CC#00–119) to the REALTIME KNOBS 5–8 or vecto

Appendices998*3 The volume of the OASYS is determined by multiplying the Volume (CC#07) with the Expression (CC#11). In Sequencer mode when you stop t

OASYS and MIDI CCs Parameters controlled by MIDI CCs #70-79999AL-1 and STR-1CX-3MS-20EX73 (Attack time)EG Times:Filter EG 1/2 Attack (see page 69)A

Program P6: AMS Mixer/Common Key Track 6–1: OSC 1 AMS Mixer91Amount to 0.2. Set AMS B to SW 1 or 2, and AMS B Amount to +99.Now, SW1 or 2 will turn

Appendices1000PolysixEX78 (LFO1 delay) LFO1 Delay (see page 207)79 (Filter EG intensity) LPF EG2/EXT (see page 287)70 (Sustain level) PolysixEX EG

MIDI applications About MIDI1001MIDI applicationsAbout MIDIMIDI stands for Musical Instrument Digital Interface, and is a world-wide standard for e

Appendices1002Outgoing MIDI data will be handled with settings equivalent to Key Transpose 0, Velocity Curve 4, and After Touch Curve 3.Connecting an

MIDI applications Messages transmitted and received by the OASYS1003total effects, the pan following the insert effect, and send 1 and 2.• When you

Appendices1004For more information, see “Bank Map” on page 643.• In Combination P0: Play, program change and bank select messages are transmitted/rece

MIDI applications Messages transmitted and received by the OASYS1005• In Combination and Sequencer modes, transmission/reception can be switched on

Appendices1006transmitted by each track whose Status is BTH, EXT, or EX2. For more information, see “Pan” on page 419.Note: If you’ve used the CONTROL

MIDI applications Messages transmitted and received by the OASYS1007Controller (CC#18) [Bn, 12, vv]This message will be transmitted when the OASYS’

Appendices1008Note: In Program mode, the corresponding program parameters will be temporarily edited by these messages. You can Write the program to s

MIDI applications Messages transmitted and received by the OASYS1009The CC# settings for the pads are made in the Global P2– Controller page. Norma

Program mode: HD-192AMS A Decay [00…+99]This controls the decay time of the smoother, or how long it takes the smoother to reach a new, lower value.Hi

Appendices10102. [Bn, 06, mm, 26, vv]: Use data entry to set the value. Normally only the upper byte is used.A value of 0 [mm, vv=00, 00] is +00, and

MIDI applications Messages transmitted and received by the OASYS1011Exclusive Program Write Request or Combination Write Request message, in additi

Appendices1012Status is BTH, EXT, or EX2. An external tone generator connected to MIDI OUT will sound, and the tempo of an external sequencer can be c

MIDI applications Messages transmitted and received by the OASYS1013Local Control Off: Notes from the KARMA function or RPPR will not be transmitte

Appendices1014MIDI ImplementationOASYS MIDI IMPLEMENTATION 26,Dec,2004Consult your local Korg dealer for more infomation on MIDI System Exclusive imp

MIDI Implementation Messages transmitted and received by the OASYS10152.RECOGNIZED RECEIVE DATA2-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal Status

Appendices1016 Status Second Third Description ( Use ... ) ENA [Hex] [H] [D] [H] [D] Bn 6A (106) ≤3F/≥40 (≤63/≥64) ( as KARMA SW5 ) *

MIDI Implementation Messages transmitted and received by the OASYS10172-4-2 UNIVERSAL SYSTEM EXCLUSIVE MESSAGES ( REALTIME ) Master Volume

Appendices1018Error and confirmation messagesA (ADC–Are You Sure)ADC OverloadMeaning: If the ADC OVERLOAD! indication appears above the Recording Level

Error and confirmation messages D (Destination–Disk)1019Can’t open patternContinue?Meaning: When you finished recording, it was not possible to allo

Program P6: AMS Mixer/Common Key Track 6–1: OSC 1 AMS Mixer93Unipolar sources only go from 0 to 99, with 50 in the middle. MIDI controllers, such a

Appendices1020• Without using Overwrite, specify a different sample for the destination (save location).Destination sample is emptyMeaning: The sample

Error and confirmation messages F (File–Front)1021Meaning: When you executed the Disk mode Utility Save Sampling Data for All, All Multisamples, Al

Appendices1022I (Illegal–Index)Illegal file descriptionMeaning: The filename that you specified when saving a file or creating a directory contained inval

Error and confirmation messages N (No data–Not enough song memory)1023• Delete other song data etc. to increase the amount of free memory.Memory ov

Appendices1024Meaning: When in Disk mode you attempted to load an EXL file from media other than the internal hard disk, memory for temporary use could

Error and confirmation messages P (Pattern–Program)1025monaural multisample, select Single. If converting a stereo multisample, select Double.P (Pa

Appendices1026Sample used in other multisample(s)Continue?Meaning: The sample you are editing is used by other multisamples. To continue editing, pres

Error and confirmation messages U (Unable to create directory–USB Hub)1027The system update has now been installed. To complete the process, you mu

Appendices1028Y (You)You can’t undo this operationAre you sure?Meaning: Once you enter event editing (even if you leave event editing without actually

Disk mode information AIFF and WAVE format details: importing1029Disk mode informationAIFF and WAVE format details: importingAIFF filesWhen data is

Program mode: HD-194Gate OutputIf the value of the Control Source is less than the Threshold, the Gate outputs the preset value or AMS source selected

Appendices1030About KORG format filesKORG format file structureThere are three types of sample-related Korg-format files: .KMP files for multisamples, .KS

Disk mode information About KORG format files1031If the .KSF filename is “SKIPPEDSAMPL”, it will be treated as a sample skipped during loading.If th

Appendices1032• Divided sample parameter chunk• Divided sample data chunkKSC (Korg SCript) filesThese files are text files which contain a list of filenam

Disk mode information CD-R/RW disks on the OASYS: UDF and packet-writing1033CD-R/RW disks on the OASYS: UDF and packet-writingThe OASYS lets you us

Appendices1034CD-RW mediaCD-RW disks cannot be converted into ISO9660 format, and so they can only be read by devices or computers which support UDF a

Option boards/Memory/Calendar battery CD-R/RW disks on the OASYS: UDF and packet-writing1035Option boards/Memory/Calendar batteryPlease read this b

Appendices1036About option boards/memory/calendar batteryYou can expand the functionality of the OASYS by installing the following items.EXB-DI (Digit

Option boards/Memory/Calendar battery Installing an option board/memory/calendar battery1037Installing an option board/memory/calendar batteryOpeni

Appendices1038Installing the EXB-DI1. Open the front panel as described in “Opening and closing the front panel,” steps 1–6.2. Remove the EXB-DI from

Option boards/Memory/Calendar battery Installing an option board/memory/calendar battery10393. Raise the cover to the angle shown in the following

Program P6: AMS Mixer/Common Key Track 6–5: OSC 2 AMS Mix956–5: OSC 2 AMS Mix This page controls the two AMS Mixers for Oscillator 2. These are ava

Appendices1040Installing the calendar battery1. Open the front panel as described in steps 1–6 of “Opening and closing the front panel,” on page 1037.

Option boards/Memory/Calendar battery EXB-DI option1041EXB-DI optionThe EXB-DI option provides an ADAT™ Compatible Optical Output which digitally o

Appendices1042Updating the system1. Downloading the system fileThe most recent system file can be downloaded to your computer from the Korg website (htt

Using the included Restore CDs to restore the system and factory sounds EXB-DI option1043Using the included Restore CDs to restore the system and f

Appendices1044[ ] Restore OS and factory soundsIf for some reason the OASYS will no longer start up normally, try this option first. It does the follow

1045Voice Name ListCombinationsINT-A# Name CategoryA000 Particles & Waves SynthA001 WS Layer Keys KeyboardA002 Orchestra & Timpani OrchestralA

Voice Name List1046INT-B# Name CategoryB000 Pure Attitude SynthB001 California Phase Shifter KeyboardB002 Alexander's Folk-Dance OrchestralB003 W

1047INT-C# Name CategoryC000 Summer Anthem EXs1 SynthC001 Electus Grandus EXs1 KeyboardC002 Velo Dynamic Orch. EXs1 OrchestralC003 Random S

Voice Name List1048S: single program, D: double program,: drums programdS: single program, D: double program,: drums programdProgramsBank INT-A [HD-1]

1049S: single program, D: double program,: drums programdS: single program, D: double program,: drums programdBank INT-B [HD-1] # Name CategoryB000 S

Program mode: HD-196You can think of the resulting shape as being like two folding doors attached to a hinge in the center. At the Center key (the mai

Voice Name List1050S: single program, D: double program,: drums programdS: single program, D: double program,: drums programdBank INT-C [HD-1] # Name

1051S: single program, D: double program,: drums programdS: single program, D: double program,: drums programdBank INT-D [HD-1] # Name CategoryD000 D

Voice Name List1052S: single program, D: double program,: drums programdS: single program, D: double program,: drums programdBank INT-E [HD-1] EXs1# N

1053A: AL-1, C: CX-3, -: OffA: AL-1, C: CX-3, -: OffBank INT-F [EXi]# EXi1/2 Name CategoryF000 A/A Giant Rotary SW1,2 MotionSynthF001 A/A Vocalisms SW

Voice Name List1054MS: MS-20EX, P6: PolysixEX, S: STR-1, A: AL-1, C: CX-3, -: OffMS: MS-20EX, P6: PolysixEX, S: STR-1, A: AL-1, C: CX-3, -: OffBank US

1055S: STR-1, A: AL-1, -: OffS: STR-1, A: AL-1, -: OffBank USER-E [EXi]# EXi1/2 Name CategoryE000 S/S Nylon STR-1 Acoustic Guitar/PluckedE001 S/S 6 St

1056A: AL-1, C: CX-3, -: OffA: AL-1, C: CX-3, -: OffBank USER-F [EXi]# EXi1/2 Name CategoryF000 C/- Felix'sDaKat OrganF001 C/- Perc Organ 1 SW1 O

1057S: single program, D: double program,: drums programdS: single program, D: double program,: drums programdBank G / g(1)…g(9) / g(d)# Name Category

Voice Name List1058S: single program, D: double program,: drums programdS: single program, D: double program,: drums programdGM061 S French Horn Brass

1059Bank USER-A [HD–1] EXs2Drum KitsGM Drum Kits# Name CategoryA000 D OASYS Piano EXs2 KeyboardA001 D St. Concert Piano EXs2 KeyboardA002 D

Program P6: AMS Mixer/Common Key Track 6–9: Common Keyboard Track97• 1: Exclusive Solo. For more information, see “Exclusive Solo” on page 138.• 2:

1060GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1061GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1062GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1063GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1064GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1065GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1066GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1067GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1068GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1069GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

Program mode: HD-198Program P7: KARMAThis pages let you control the Program’s KARMA settings. In Program mode, you can use one KARMA Module (Module A)

1070GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1071GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1072GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1073GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1074GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1075GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1076GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1077GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1078GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1079GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

Program P7: KARMA 7–1: GE Setup/Key Zones99Load GE Options [Dialogue]These options let you specify whether the values and assignments for the KARMA

1080GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1081GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1082GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1083GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1084GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1085GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1086GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1087GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1088GE Type...GE Group, Note Type...Note Series Group, CC-A/B...CCs Group, Env Type...Envelope Group Bend...Bend Group, Repeat...Repeat Group, Phase P

1089KARMA RTC Names# Name000 [no name]001 Alternate Drum Map002 Alternate DrumMap On/Off003 Arp<->Gated<->Fixed004 Arpeggio<->Gated0

1Program mode: HD-1HD-1 OverviewThe HD-1 High Definition Synthesizer is Korg’s new flagship PCM synthesis engine, featuring outstanding sound quality, u

Program mode: HD-1100▼ 7-1: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more information on these shor

1090311 Note Pattern <-> Chord312 Note Pattern [1]313 Note Pattern [2]314 Note Pattrn<>Rand[1]315 Note Pattrn<>Rand[2]316 Note Pattr

1091External Setups000: NI Pro53001: Atmosphere002: B4003: FM7 (requires FM7 controller file)Controller Knob1 Knob2 Knob3 Knob4 Knob5 Knob6 Knob7 Knob8

1092004: Subtractor (Reason)005: NNXT (Reason)006: Dr.Rex (Reason)007: Redrum (Reason) 8-channel mixerController Knob1 Knob2 Knob3 Knob4 Knob5 Knob6 K

1093008: Redrum (Reason) 8-channel Editor009: Malstrom (Reason)010: Mixer (Reason)011: NN-19 (Reason)Controller Knob1 Knob2 Knob3 Knob4 Knob5 Knob6 Kn

1094012: Legacy MS-20013: Legacy Polysix014: NI Elektrik Piano015: USB Ultra FocusController Knob1 Knob2 Knob3 Knob4 Knob5 Knob6 Knob7 Knob8NameVCO1 W

1095016: 8-channel MIDI Mixer000: NI Pro53002: B4003: FM7 (requires FM7 controller file)014: NI Elektrik PianoThese product names are the trademarks or

1096MultisamplesROM mono# Name0000 Acoustic Piano 1 mf -L0001 Acoustic Piano 1 mf -R0002 Acoustic Piano 1 f -L0003 Acoustic Piano 1 f -R0004 Acousti

10970308 El.Guitar Muted 3 VAR0309 Acoustic Bass 10310 Acoustic Bass 2 mp0311 Acoustic Bass 2 mf0312 Acoustic Bass 2 f0313 Acoustic Bass 2 Noise a031

10980620 VS360621 VS370622 VS380623 VS390624 VS400625 VS410626 VS420627 VS430628 VS440629 VS450630 VS460631 VS470632 VS480633 VS490634 VS500635 VS5106

10990932 "Thuum"0933 "Kaahh"0934 "Tchh"0935 "Pan"0936 "Ti"0937 "Cap"0938 "Chhi"0

Program P7: KARMA 7–2: MIDI Filter/CC Offset101These settings do not affect the Dynamic MIDI (7–7) settings. If you have specified MIDI control data

1100ROM stereo1244 Industry Hit 261245 Industry Loop 11246 Industry Loop 21247 Industry Loop 31248 Voice 011249 Voice 021250 Voice 031251 Voice 041252

1101EXs1 mono EXs1 stereoEXs2 monoEXs2 stereo# Name0000 Acoustic Piano 1 mp -L0001 Acoustic Piano 1 mp -R0002 Acoustic Piano 1 mp-mono0003 Acoustic Pi

1102DrumsamplesROM mono# Name0000 BD-01-amb f0001 BD-01-amb ff0002 BD-02-amb mf0003 BD-02-amb f0004 BD-03-amb mf0005 BD-03-amb f0006 BD-04-amb mf00

11030308 SD-Dance 610309 SD-Dance 620310 SD-Dance 630311 SD-Dance 640312 SD-Dance 650313 SD-Dance 660314 SD-Dance 670315 SD-Dance 680316 SD-Dance 6903

11040620 Bongo 1 Lo-Closed0621 Bongo 1 Lo-Flam0622 Bongo 1 Lo-MuffledFlam0623 Bongo 1 Lo-Stick0624 Bongo 1 Lo-StickEdge mf0625 Bongo 1 Lo-StickEdge f0

11050932 Jew's Harp 030933 Jew's Harp 040934 Jew's Harp 050935 Jew's Harp 060936 Jew's Harp 070937 Jew's Harp 080938 Jew

1106EXs1 mono1244 Machine Gun1245 Laser Gun1246 Cannon 11247 Cannon 21248 Cannon 31249 Explosion1250 Thunder1251 Wind1252 Stream1253 Bubble1254 Church

11070155 SD-08-dry f -L0156 SD-08-dry f -R0157 SD-08-dry ff -L0158 SD-08-dry ff -R0159 SD-09-dry mp -L0160 SD-09-dry mp -R0161 SD-09-dry mf -L0162 S

11080467 Tom Rock1-dry Lo ff -L0468 Tom Rock1-dry Lo ff -R0469 Tom Rock1-dry Mid mp -L0470 Tom Rock1-dry Mid mp -R0471 Tom Rock1-dry Mid mf -L0472 Tom

11090779 Conga Hi-Open mf -L0780 Conga Hi-Open mf -R0781 Conga Hi-Open f -L0782 Conga Hi-Open f -R0783 Conga Hi-OpenFlam -L0784 Conga Hi-OpenFlam -R

Program mode: HD-1102Envelope1/Envelope2/Envelope3 [Off, On]Specifies whether to transmit the various MIDI messages or other functions generated by Env

11101091 Shaker 1-Pull a -R1092 Shaker 1-Pull b -L1093 Shaker 1-Pull b -R1094 Shaker 1-Accent a -L1095 Shaker 1-Accent a -R1096 Shaker 1-Accent b -L10

1111EXs1 stereo1403 Vocoder Voice 27 "Four"1404 Vocoder Voice 281405 Vocoder Voice 291406 PC Voice 1-06 "One"1407 PC Voice 1-07 &q

11120229 Tom Vintage Hi ff0230 Tom Rock1-dry Lo mp0231 Tom Rock1-dry Lo mf0232 Tom Rock1-dry Lo f0233 Tom Rock1-dry Lo ff0234 Tom Rock1-dry Mid mp023

1113These sounds Processed withINFINITY™.0541 Shaker 1-Accent b0542 Shaker 1-Slow a0543 Shaker 1-Slow b0544 Shaker 1-Slow c0545 Shaker 1-Roll a0546 Sh

1114Wave SequencesINT# NameINT000 19 Orch/Band HITSINT001 Ac.Guitar Rhythm 01INT002 Air RotationINT003 Alternating CurrentsINT004 Analog Wave AdvanceI

1115Preset Patterns Template Songs# Name (Pattern/Drum kit)P000 Pop&Balad 1/StdP001 Pop&Balad 2/StdP002 Pop&Balad 3/StdP003 Pop&Balad

1116Demo Songs0. Sinfonia Russe EXs11. Love Embraces All EXs12. TEKNOSYS EXs13. Night On The Town4. PrimitiveSong 00 “Sinfonia Russe

KORG INC.4015-2 Yanokuchi, Inagi-city, Tokyo 206-0812 Japan© 2005 KORG INC.IMPORTANT NOTICE TO CONSUMERSThis product has been manufactured according t

Program P7: KARMA 7–3: Module Parameters-Control1037–3: Module Parameters-ControlHere you can set KARMA Module Control parameters. Note that in Pro

Program mode: HD-1104Resulting transposed input notes:Lowest: input notes transposed to E2 G#2 B2 D#3Highest: input notes transposed to E4 G#4 B4 D#5C

Program P7: KARMA 7–3: Module Parameters-Control105This can allow a GE to behave more predictably with all inversions of a chord. (See “Note Series

Program mode: HD-1106Event: The phrase or pattern will be advanced by one note or one chord, ignoring the rhythm of the phrase or pattern. Each trigge

Program P7: KARMA 7–3: Module Parameters-Control107Chord Track (Note Map Chord Track) [Off, On]Selects whether the Note Map Table will track your c

Program mode: HD-11087–4: Module Parameters-TriggerHere you can set KARMA Module Trigger parameters. In Program mode, you can use one KARMA Module (mo

Program P7: KARMA 7–4: Module Parameters-Trigger109NoteNote Trigger [Any, AKR, 1st, Dyn]Any (Any Note + Dynamic MIDI): Every note-on will cause tri

Program mode: HD-12Program P0: PlayThis is the main page of Program mode for HD-1 Programs. Among other things, you can:• Select Programs• Jump direct

Program mode: HD-1110For Sus2 and Rel2, the envelope will continue repeating even if the key is released.▼ 7-4: Page Menu CommandsThe number before ea

Program P7: KARMA 7–5: GE Real-Time Parameters111For details on the individual GE Real-Time parameters, please see the “KARMA GE guide” on page 893

Program mode: HD-11127–6: Perf Real-Time ParametersHere you can assign controllers to KARMA Performance Real-Time Parameters (Perf. RTP) outside of th

Program P7: KARMA 7–6: Perf Real-Time Parameters113A ( Module A) [Off, On]Specifies the module to which the settings of RT Parm 1–8 will apply. In P

Program mode: HD-1114Note Map Table [+0000…+0064]Assigns the “Table (Note Map Table)” (Program 7–3b) function.+0000: Custom+0001…+0064: Global Tables

Program P7: KARMA 7–6: Perf Real-Time Parameters115Key Zone Bottom [+0000…+0127]Assigns the “Bottom (Key Zone Bottom)” (Program 7–1a) function.+000

Program mode: HD-1116• 6: Capture Random Seed. For more information, see “Capture Random Seed” on page 147.7–7: Dynamic MIDIDynamic MIDI lets you use

Program P7: KARMA 7–7: Dynamic MIDI117The controller value and the on/off status are related as follows.000 → 127: on at 127127→ 000: off at 000Tog

Program mode: HD-11187–8: Random SeedsThe Random Seeds page allows you to control some of the randomizable characteristics of a Module’s GE.You can fr

Program P7: KARMA 7–8: Random Seeds1196. Turn the front panel KARMA LATCH switch on.7. Go to the 7–8: Random Seeds page.8. Make sure that the KARMA

Program P0: Play 0–1: Main3If a variation bank doesn’t have a different version of the current Program, the basic GM sound will be recalled instead

Program mode: HD-1120phrase will loop (e.g., D-D-C-C, D-D-C-C, D-D-C-C, …). (☞ “Retrigger Each Time” on page 115)4. “Start Seed”: any value, “Freeze L

Program P7: KARMA 7–9: Name/Note Map1217–9: Name/Note MapHere you can assign the names for KARMA SLIDERS 1-8 and KARMA SWITCHES 1-8, view Global No

Program mode: HD-1122Out (Note Out) [Remove, C-1…G9]Specify what will be done with the note you specified in the “In” field.Remove: The note specified by

Program P8: Insert Effect 8–1: Routing123Program P8: Insert EffectThese pages let you can make settings for the insert effects. For instance, you c

Program mode: HD-1124Use Dkit Setting = On8–1c: Bus Select (IFX/Indiv.Out Assign) All OSCs to [L/R, IFX1…12, 1…8, 1/2…7/8, Off]This specifies the outpu

Program P8: Insert Effect 8–1: Routing1258–1f: OSC MFX SendOSC1 Send1 (to MFX1) [000…127]Sets the volume (send level) at which the output of oscill

Program mode: HD-11268–5: Insert FX8–5a: Effect/EXi Fixed Resource MeterBackground informationMost hardware synthesizers offer a single, fixed method o

Program P8: Insert Effect 8–5: Insert FX127Note: As with the meter as a whole, the number shown in FREE FOR VOICES is only an approximation. For ex

Program mode: HD-1128Bus Sel. (Bus Select) [L/R, 1…8, 1/2…7/8, Off]Specifies the bus to which the signal will be sent immediately after the insert effe

Program P8: Insert Effect 8–6: Track View1298–6: Track View8–6a: Track ViewThis shows the oscillator 1, 2 output and insert effect routing.The sele

Program mode: HD-144. Press the OK button to confirm your choice, or press the Cancel button to exit without changing the Program.Category [00…18, Name

Program mode: HD-1130• 0: Write Program. For more information, see “Write Program” on page 138.• 1: Exclusive Solo. For more information, see “Exclusi

Program P8: Insert Effect 8–7: IFX 1–12131Note that edits to effects parameters are automatically stored with the Program–you don’t need to store t

Program mode: HD-11328–9: Common FX LFOThe two Common FX LFOs allow you to synchronize LFO-based modulation for multiple effects, such as phasers, flan

Program P8: Insert Effect 8–9: Common FX LFO133▼ 8–9: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For m

Program mode: HD-1134Program P9: Master/Total EffectHere you can make settings for the master effects and total effects. For instance, you can:• Route

Program P9: Master/Total Effect 9–1: Routing135MFX2MFX2 [000…185]MFX2 On/Off [Off, On]Return 2 [000…127]These parameters specify the effect type fo

Program mode: HD-11369–1c: Master VolumeMaster Volume [000…127]This specifies the final level of the audio output that has passed through total effects

Program P9: Master/Total Effect 9–3: MFX2137▼ 9–2: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more

Program mode: HD-1138Program: Page Menu CommandsENTER + 0-9: shortcuts for menu commandsEach page has a set of menu commands, which provide access to

Program: Page Menu Commands Auto Assign KARMA RTC Name139• Program mode: “Solo” on page 21• Combination mode: “Solo” on page 336• Sequence mode: “S

Program P0: Play 0–1: Main50…7: The programs will be shown by sub-category.4. Select a program from the list. You can touch a Program’s name direct

Program mode: HD-1140The Auto +12 dB On setting is made independently for Program, Combination, Sequencer, and Sampling modes.4. “Convert to” specifies

Program: Page Menu Commands Auto Sampling Setup141Auto Sampling SetupAuto Sampling Setup is available on the Audio In/Sampling tab of the Play page

Program mode: HD-1142Note f: If you execute Auto Sampling Setup with “Save to” RAM and the “Convert to Program” option checked, and you continue sampl

Program: Page Menu Commands Copy Tone Adjust143Automatically-set parameters and their values- : Not set automaticallyValues enclosed in parentheses

Program mode: HD-11443. To execute the Reset Tone Adjust command, press the OK button. To exit without resetting the controls, press the Cancel button

Program: Page Menu Commands Sample Parameters1453. Select the copy-source pad number. If you want to copy all settings for pads 1–8, check the All

Program mode: HD-1146This option is available only when the Oscillator Mode is set to Double.1. Select “Sync Both EGs.”The LCD screen will indicate “S

Program: Page Menu Commands Initialize KARMA Module147In addition to the content copied when “GE RTP Control Setting & Scenes” is Off (unchecke

Program mode: HD-1148When you are listening to the randomly changing phrases generated each time a KARMA Module is triggered, and you hear a phrase th

Program: Page Menu Commands Copy Insert Effect149Phase Pattern of 8 steps (bars), so it may not sound always as if it is restarting every 2 bars, b

Program mode: HD-16CommonVoice Assign ModeThis shows the voice assign mode of the program–either POLY or MONO.Touch this area to jump to the correspon

Program mode: HD-1150From (Mode) [Program, Combination,Song, Sampling Mode]This selects whether you’ll copy from a Program, a Combination, a Song, or

Program: Page Menu Commands Cut IFX Slot151Note: In Combi or Seq modes, this Track View page is a convenient way to check the IFX that are chained

Program mode: HD-11522. Select “Cut IFX Slot” to open the dialog box.3. Specify the number of the IFX you want to remove.(The IFX you selected in step

Program: Page Menu Commands Copy MFX/TFX1533. Select “Clean Up IFX Routings” to open the dialog box.4. Press the OK button to execute the Clean Up

Program mode: HD-1154Swap MFX/TFXSwap MFX/TFX is available on all of the MFX/TFX pages.This command swaps (exchanges) settings between MFX1, MFX2, TFX

155Program mode: EXiEXi Program P0: PlayThis is the main page of Program mode for EXi Programs. Among other things, you can:• Select Programs• Jump di

Program mode: EXi156You can select Banks either via the on-screen menu, or by using the front-panel Bank buttons.Program Select [000…127, Name]This is

EXi Program P0: Play 0–7: Controller View/Effects1570–7: Controller View/EffectsThis page shows the functions assigned to the physical controllers,

Program mode: EXi158EXi Program P4: Basic/VectorThese pages control the basic elements of the Program, along with the Vector synthesis features. For i

EXi Program P4: Basic/Vector 4–1: Program Basic159• Mono Legato• Mono mode (Normal or Use Legato Offset)• Unison(Voice Assign Mode) [Poly, Mono]The

Program P0: Play 0–6: KARMA GE70–6a: Program Select, Load GE Options, KARMA T.Sig, TempoBank [INT–A…F, GM, g(1…9), g(d), USER–A…G]Bank Type [(HD-1,

Program mode: EXi160ChordChord [Off, Bsc, Adv]Off disables the Chord function.Bsc (Basic) re-creates the chord mode of the KORG Polysix. Each time you

EXi Program P4: Basic/Vector 4–1: Program Basic16101-09: Unison voices will be detuned in an asymmetric way, increasing the complexity of the detun

Program mode: EXi162The OASYS will automatically sense when a half-damper is connected to the rear-panel DAMPER input. For proper operation, you will

EXi Program P4: Basic/Vector 4–5: Vector Control1634–2a: EXi 1Input Source [Off, Audio Input 1/2...3/4,S/P DIF Input L/R, L/R Output,Indiv. Output

Program mode: EXi164• 0: Write Program. For more information, see “Write Program” on page 138.• 1: Exclusive Solo. For more information, see “Exclusiv

EXi Program P5: Modulation 5–1: Common Step Seq165EXi Program P5: ModulationThe entire Program shares several modulation sources, including:• A sin

Program mode: EXi166For example, to play an ascending chromatic scale, set the step values to 0, +4, +8, +12, +16, and so on. One octave up is +48, an

EXi Program P5: Modulation 5–2: Common LFO167ValueResetResets the “Value” of each step to 000.SmoothAutomatically adjusts the “Value” of each step

Program mode: EXi168EXi Program P8: Insert EffectThis pages let you control the Program’s twelve Insert Effects (IFX). They work exactly like the simi

EXi Program: Page Menu Commands 5–3: Common Keyboard Track169EXi Program: Page Menu CommandsCopy EXi OscillatorThis command copies the oscillator s

Program mode: HD-18Tempo (  ) [040.00…240.00, EXT]This is the tempo for the current Program, which applies to tempo-synced LFOs and Wave Sequences, K

Program mode: EXi170

171EXi: AL-1 Analog SynthesizerAL-1 OverviewThe AL-1 is Korg’s most full-featured virtual analog synthesizer to date. It’s played from within EXi Prog

EXi: AL-1 Analog Synthesizer172EXi Program P0: Play0–1: MainThis is the main page of Program mode. For a full description of this page and all of its

EXi Program P0: Play 0–1: Main173EGs, LFOs, and Step SequencerStep Sequencer GraphicThis shows a graphic overview of the per-voice step sequencer.P

EXi: AL-1 Analog Synthesizer174Program P4: OSC PitchThese pages control the most basic elements of AL-1’s sounds: the waveforms that the oscillators p

Program P4: OSC Pitch 4–1: OSC Basic175Detuned Saw 1 produces two detuned sawtooth waveforms simultaneously. Detune controls the amount of detuning

EXi: AL-1 Analog Synthesizer176FrequencyNote: The Sub-Oscillator’s frequency is always exactly one octave below that of Oscillator 1. This means that

Program P4: OSC Pitch 4–2: Sub/Noise/Ring Mod177▼ 4–1: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For

EXi: AL-1 Analog Synthesizer178Carrier [OSC 2, Ext Input]Selects the carrier source for the ring modulator. Ext Input uses the audio input selected un

Program P4: OSC Pitch 4–3: Mixer179AMS [List of AMS Sources]This selects an AMS source to control the Oscillator 1 Level. For a list of AMS sources

Program P0: Play 0–6: KARMA GE90–6c: RealTime ControlsThis displays the names and stored settings of KARMA SLIDERS 1–8 and KARMA SWITCHES 1–8.1…8Th

EXi: AL-1 Analog Synthesizer1804–4: Pitch CommonThis page lets you modulate the pitch of Oscillators 1, 2, and the Sub Oscillator simultaneously, so t

Program P4: OSC Pitch 4–4: Pitch Common1814–4b: PortamentoPortamento lets the pitch glide smoothly between notes, instead of changing abruptly. Ena

EXi: AL-1 Analog Synthesizer1824–5: Pitch EG/ModThis page lets you modulate the pitches of Oscillators 1 and 2 separately–as opposed to the Pitch Comm

Program P4: OSC Pitch 4–5: Pitch EG/Mod183Intensity Mod AMS [List of AMS Sources]You can modulate AMS 1’s Intensity from another AMS source. This s

EXi: AL-1 Analog Synthesizer184Program P5: Filter5–1: Filter BasicInteraction between the filters and the mixerWhen the Filter Routing is set to either

Program P5: Filter 5–1: Filter Basic1855–1a: RoutingFilter Routing [Single, Serial, Parallel, 24dB/oct]There are two filters, Filter A and Filter B.

EXi: AL-1 Analog Synthesizer186AMS [List of AMS Sources]This selects a modulation source to control the Output Level. For a list of AMS sources, see “

Program P5: Filter 5–2: Multi Filter1875–2: Multi FilterThis page is available only when the Filter A Type is set to Multi Filter.What’s a Multi Fi

EXi: AL-1 Analog Synthesizer188Intensity [–99…+99]This controls the depth and direction of the Mode 1-2 Crossfade modulation.Intensity Mod AMS [List o

Program P5: Filter 5–3: Filter Modulation1895–3a: Keyboard Track Most acoustic instruments get brighter as you play higher pitches. At its most bas

Program mode: HD-1100–7: Controller View/EffectThis page shows the functions assigned to the physical controllers, including the vector joystick, SW1

EXi: AL-1 Analog Synthesizer190Please take these names as suggestions, rather than restrictions. If you like, you’re free to use these EGs to control

Program P5: Filter 5–4: Filter LFO Mod1915–4: Filter LFO ModThere are three LFO-to-Frequency controls for each filter: a basic amount (LFO Intensity

EXi: AL-1 Analog Synthesizer192Program P6: AmpThese pages let you control the sound’s volume (also called “amplitude,” or “amp” for short), pan, and D

Program P6: Amp 6–1: Amp/Driver193Low Boost [0…99]This low-frequency EQ controls the body character of the sound. The specific EQ frequencies affect

EXi: AL-1 Analog Synthesizer1946–2: Amp ModulationThis page contains the settings for Oscillator 1’s Amp level modulation. Among other things, you can

Program P6: Amp 6–2: Amp Modulation195Center-High [-Inf, –99…+99, +Inf]This sets the slope between the Center and High Break keys. For normal key t

EXi: AL-1 Analog Synthesizer1966–3: Amp EG The AL-1’s Amp EG is identical to the HD-1’s. For more detailed explanations of the Amp EG features, please

Program P6: Amp 6–3: Amp EG197TimeHigher values mean longer times. For a chart showing equivalents in milliseconds, please see “Time” on page 79.At

EXi: AL-1 Analog Synthesizer198Release [–99…+99]This controls the depth and direction of the AMS modulation for the Release time.AMS2 and AMS3These se

Program P7: EG 1-4 7–1: EG 1 (Filter)199Program P7: EG 1-4There are four assignable EGs, in addition to the Amp EG. Each of these can be used as an

Program P0: Play 0–8: Audio Input/Sampling11▼ 0–7: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more

EXi: AL-1 Analog Synthesizer200to these values may cause inconsistent behavior, or may mean that the EG doesn’t reset at all. If this happens, reduce

Program P7: EG 1-4 7–1: EG 1 (Filter)201EG CurveAttack [0 (Linear), 1…9, 10 (Exp/Log)]This sets the curvature of the Attack segment - the transitio

EXi: AL-1 Analog Synthesizer202Attack [–99…+99]This controls the depth and direction of the AMS modulation for the Attack time.When the AMS source is

Program P8: Step Seq/LFO 8–1: Step Sequencer203Program P8: Step Seq/LFO8–1: Step Sequencer The Step Sequencer creates complex, rhythmic patterns, f

EXi: AL-1 Analog Synthesizer204When Key Sync is Off, the Step Sequencers for all notes are synchronized together (unless the Start Step is modulated b

Program P8: Step Seq/LFO 8–2: LFO 1205/2This halves the duration of the steps or the “x (Multiply Base Note by…)” value. For example, it would turn

EXi: AL-1 Analog Synthesizer206Most of the waveforms should be self-explanatory, but a few will benefit from more details:Guitar is intended for guitar

Program P8: Step Seq/LFO 8–2: LFO 1207Offset [–99…+99]By default, almost all of the LFO waveforms are centered around 0, and then swing all the way

EXi: AL-1 Analog Synthesizer2088–2c: Frequency MIDI/Tempo SyncMIDI/Tempo Sync [Off, On]On (checked): When MIDI/Tempo Sync is On, the LFO will synchron

Program P9: AMS Mixer 9–1: AMS Mixer209Program P9: AMS MixerThe AMS Mixers combine two AMS sources into one, or process an AMS source to make it in

Program mode: HD-112S/P DIF L, S/P DIF RThese are settings for the S/P DIF digital audio input, for connecting external A/D converters, computer audio

EXi: AL-1 Analog Synthesizer210Tone AdjustAL-1 Tone Adjust Default SettingsTone Adjust provides an elegant physical interface to the AL-1’s parameters

Tone Adjust 9–1: AMS Mixer211EGsIn addition to supporting the standard Tone Adjust EG parameters, the AL-1 adds the following separate controls for

EXi: AL-1 Analog Synthesizer212EXi AL-1: Page Menu CommandsCopy EnvelopeThis copies settings from one AL-1 envelope to another.1. Select “Copy Envelop

213EXi: CX-3 Tonewheel OrganCX-3 OverviewThe CX-3 is a detailed model of a classic tone-wheel organ, based on Korg’s ground-breaking CX-3 keyboard. It

EXi: CX-3 Tonewheel Organ214EXi Program P0: Play0–1: MainThis is the main page of Program mode. For a full description of this page and all of its fun

EXi Program P0: Play 0–1: Main215Lower DrawbarsThis shows the Lower drawbar settings.Press this area to jump to the Drawbars page.V/C On/OffThis sh

EXi: CX-3 Tonewheel Organ216Program P4: Basic4–1: Basic4–1a: Drawbar ModeDrawbar Mode [Normal, EX]This is a basic control, which affects the parameter

Program P4: Basic 4–2: Controllers217The noise includes both colored broad-band noise and tone wheel leakage. The amount of leakage within the nois

EXi: CX-3 Tonewheel Organ218emphasized. The Amp section interacts with Expression; for more details, see “7–1a: Amp,” on page 226.To allow optimal mod

Program P5: Split & Drawbars 5–1: Keyboard Split219Program P5: Split & DrawbarsYou can set up the organ to use a single sound across the en

Program P0: Play 0–8: Audio Input/Sampling13Tip: You can use the control surface to control this parameter. For more information, see “Using the co

EXi: CX-3 Tonewheel Organ2205–2: DrawbarsThe drawbars are the heart of the CX-3. These settings control the basic harmonic content of the sound, the p

Program P5: Split & Drawbars 5–3: EX Drawbars221▼ 5–2: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut.

EXi: CX-3 Tonewheel Organ2225–3c and 5–3d: Upper EX DrawbarsThese parameters control the individual EX drawbar pitches and volume levels for the Upper

Program P6: Percussion 6–1: Percussion223Program P6: PercussionPercussion adds a pitched attack to the notes, for a more crisp, punchy timbre. When

EXi: CX-3 Tonewheel Organ224This parameter controls the difference in drawbar volume between the Soft and Loud Percussion settings.6–1c: DecayDecay [S

Program P6: Percussion 6–2: EX Percussion225This section is grayed out when Drawbar Mode is set to Normal.6–2a: EX PercussionNormal Percussion [0…8

EXi: CX-3 Tonewheel Organ226Program P7: Amp, V/C, Rotary Speaker7–1: Amp & V/C7–1a: AmpAmp Type [Type 1, Type 2, Pre Amp]This selects the type of

Program P7: Amp, V/C, Rotary Speaker 7–1: Amp & V/C227AMS [List of AMS Sources]This selects an AMS source to turn Vibrato/Chorus on or off for

EXi: CX-3 Tonewheel Organ228Pan [Random, L001…C064…R127]This controls the stereo pan of the organ. A setting of L001 places the sound at the far left,

Program P7: Amp, V/C, Rotary Speaker 7–2: Rotary Speaker229AMS Mode [Momentary, Toggle]This determines the behavior of the Rotary Speaker on/off AM

Program mode: HD-114Again, the goal is to get the level as high as possible without activating the CLIP! or ADC OVERLOAD! messages.Tips for eliminatin

EXi: CX-3 Tonewheel Organ230Horn Mic Distance [000…100]This adjusts the distance between the Horn and its microphones. Lower values bring the mics clo

Program P9: AMS Mixer 9–1: AMS Mixer231Program P9: AMS MixerThe AMS Mixers combine two AMS sources into one, or process an AMS source to make it in

EXi: CX-3 Tonewheel Organ232Tone AdjustCX-3 Tone Adjust Default SettingsTone Adjust provides an elegant physical interface to the CX-3’s parameters. M

Changes from the original CX-3 9–1: AMS Mixer233Changes from the original CX-3With the OASYS CX-3, Korg has taken the original, ground-breaking CX-

EXi: CX-3 Tonewheel Organ234EXi CX-3: Page Menu CommandsCopy DrawbarsThis copies drawbar or EX drawbar settings within the CX-3 oscillator.1. Select “

235EXi: STR-1 Plucked StringSTR-1 OverviewThe STR-1 Plucked String offers a comprehensive and sophisticated set of physical modeling synthesis tools,

EXi: STR-1 Plucked String236LFO1LFO1PluckNoiseLFO1LFO1LFO1LFO1-4LFO1LFO1LFO1EG1-4LFO1String Track 1-2AmpStringEQFeedbackMain FilterMixerExcitation Fil

EXi Program P0: Play 0–1: Main237EXi Program P0: Play0–1: MainThis is the main page of Program mode. For a full description of this page and all of

EXi: STR-1 Plucked String238Press this area to jump to the 5–1 Filter Basic page.AmpThis shows the Amp section’s Pan and Amp Level values.Press this a

Program P4: String 4-1: Pluck and Noise239Program P4: String4-1: Pluck and Noise4-1a: PluckType [Ac Guitar 1…Harpsichord]This selection models diff

Program P0: Play 0–8: Audio Input/Sampling15Source Bus = REC Bus 1/2Source Bus = Audio Input 1/2Source Bus = S/P DIF L/RSource Bus = Indiv. 1/2L-Mo

EXi: STR-1 Plucked String240Delay (milliseconds) [0...250]You can delay the Pluck by up to 250ms after the initial note-on. This lets you create doubl

Program P4: String 4-2: PCM Oscillator2414-2: PCM OscillatorUsing PCM in the STR-1Using PCM samples to “pluck” the stringIn addition to the Pluck a

EXi: STR-1 Plucked String242These can change the character of the comb filter in interesting ways.Layering PCM with modeled string timbresYou can also

Program P4: String 4-3: PCM Oscillator Pitch243Similarly, RAM Multisamples can play either from the beginning of the waveform, or from the loop sta

EXi: STR-1 Plucked String244Frequency Offset [–10.0 Hz … +10Hz]This adjusts the pitch by increments of 0.1 Hz. Frequency Offset is different from Tune

Program P4: String 4-3: PCM Oscillator Pitch245JS+Y Intensity [–48.00…+48.00]Moving the joystick “up” from the center detent position, away from yo

EXi: STR-1 Plucked String2464-4: Excitation Mixer4-4a: PCM OscillatorLevel [0…100]This controls the PCM Oscillator’s input level to the String.Phase I

Program P4: String 4-4: Excitation Mixer247Low Pass. This cuts out the parts of the sound which are higher than the cutoff frequency. Low Pass is t

EXi: STR-1 Plucked String248▼ 4–4: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more information on the

Program P4: String 4-5: String Main249As a rule of thumb, harmonics which are multiples of the denominator will be silent. For instance, if the Pos

Program mode: HD-116Source Direct Solo [Off, On]On (checked): Only the signal of the bus selected for Source Bus will be output from the L/R jacks and

EXi: STR-1 Plucked String250Use Excitation Position [Check-box]This makes the harmonic use the same position as the excitation, including AMS modulati

Program P4: String 4-5: String Main2514-5c: DecayDecay [0…100]This controls the overall decay time of the string without affecting frequency conten

EXi: STR-1 Plucked String2524-6: Damping and Dispersion4-6a: DampingDamping [0…100.0]This controls the decay time for the string’s high frequencies. H

Program P4: String 4-6: Damping and Dispersion2534-6b: DispersionDispersion [0…100.0]This models the rigidity of the string. Higher values correspo

EXi: STR-1 Plucked String2544-7: String Pitch4-7a: MainOctave [–2[32’], –1[16’], +0[8’], +1[4’]]This sets the basic pitch of the String, in octaves. T

Program P4: String 4-7: String Pitch255Fingered [Off, On]This parameter allows you to control Portamento through your playing style. When it’s enab

EXi: STR-1 Plucked String2564-7e: AMSAMS 1 [List of AMS Sources]This selects the first modulation source for controlling the String’s pitch. For a list

Program P4: String 4-8: Pickups and Feedback257The position is approximately symmetric around 50 for all of the notes when Tracking Mode is set to

EXi: STR-1 Plucked String258All three feedback parameters–Distance, Orientation, and Level–can be modulated in real-time. You can use this to model th

Program P4: String 4-9: Mixer2594-9: MixerThe Mixer page controls the volume levels and filter routing for the main String output, as well as the di

Program P0: Play 0–8: Audio Input/Sampling17and reduce it to the minimum size necessary. For more information, see “Truncate (for Sample Edit)” on

EXi: STR-1 Plucked String2604-9d: Pickup 1Pickup 1 has the same mixer parameters as described under “4-9a: String,” above.Try inverting the phase for

Program P5: Filter 5-1: Filter Basic261Program P5: Filter5-1: Filter BasicInteraction between the filters and the mixerWhen the Filter Routing is se

EXi: STR-1 Plucked String262Single. This uses only Filter A as a single 2-pole, 12dB/octave filter (6dB for Band Pass and Band Reject). When this optio

Program P5: Filter 5-1: Filter Basic263Frequency [00…99]This controls the cutoff frequency of Filter A, in increments of 1/10 of an octave. The spe

EXi: STR-1 Plucked String2645-2: Multi FilterThis page is available only when the Filter A Type is set to Multi Filter.What’s a Multi Filter?Standard

Program P5: Filter 5-3: Filter Modulation265Intensity [–99…+99]This controls the depth and direction of the Mode 1-2 Crossfade modulation.Intensity

EXi: STR-1 Plucked String2665–3a: Keyboard Track Most acoustic instruments get brighter as you play higher pitches. At its most basic, keyboard tracki

Program P5: Filter 5-3: Filter Modulation267Please take these names as suggestions, rather than restrictions. If you like, you’re free to use these

EXi: STR-1 Plucked String2685-4: Filter LFO ModThere are three LFO-to-Frequency controls for each filter: a basic amount (LFO Intensity), joystick -Y c

Program P6: Amp 6-1: Amp269Program P6: AmpThese pages let you control the sound’s volume (also called “amplitude,” or “amp” for short), pan, and th

Program mode: HD-1180–9: Control SurfaceThe Control Surface is the set of 9 sliders, 8 knobs, and 16 switches to the left of the LCD display. It looks

EXi: STR-1 Plucked String270AMS [AMS Sources]This selects an AMS source to modulate Pan. For a list of AMS sources, see “AMS (Alternate Modulation Sou

Program P6: Amp 6-2: Amp Modulation271RampBottom-Low [-Inf, –99…+99, +Inf]This sets the slope between the bottom of the MIDI note range and the Low

EXi: STR-1 Plucked String2726-3: Amp EG The STR-1’s Amp EG is identical to the HD-1’s. For more detailed explanations of the Amp EG features, please s

Program P6: Amp 6-3: Amp EG273TimeHigher values mean longer times. For a chart showing equivalents in milliseconds, please see “Time” on page 79.At

EXi: STR-1 Plucked String274Release [–99…+99]This controls the depth and direction of the AMS modulation for the Release time.AMS2 and AMS3These selec

Program P7: EG 1-4 7-1: EG 1 (Filter)275Program P7: EG 1-4The STR-1 has four assignable EGs, in addition to the Amp EG. Each of these can be used a

EXi: STR-1 Plucked String276Program P9: AMS Mixers and String TrackAMS MixersThe AMS Mixers combine two AMS sources into one, or process an AMS source

Program P9: AMS Mixers and String Track 9-9: String Track277This means that some strings may sound very distinct from others, quite aside from the

EXi: STR-1 Plucked String278STR-1 Tone AdjustSTR-1 Tone Adjust Default SettingsTone Adjust provides an elegant physical interface to the STR-1’s param

STR-1 Tone Adjust 9-9: String Track279Excitation Filter• Excitation Filter Type• Excitation Filter Frequency• Excitation Filter ResonanceString• Ex

Program P0: Play 0–9: Control Surface19AUDIO INPUTS lets you adjust the volume, pan, and send levels for the analog and S/P DIF audio inputs. In Se

EXi: STR-1 Plucked String280

281EXi: MS-20EXMS-20EX OverviewThe MS-20EX is a flexible, semi-modular virtual analog synthesizer. At its heart is a faithful re-creation of the origin

EXi: MS-20EX282On-screen knobs and switches, and the Parameter Details areaParameter DetailsThe LCD displays include graphic knobs for all of the main

EXi Program P0: Play 0–1: Main283EXi Program P0: Play0–1: MainThis is the main page of Program mode. For a full description of this page and all of

EXi: MS-20EX284Common Voice Assign ModeThis shows the voice assign mode of the Program–either POLY or MONO.Press this area to jump to the Program Basi

Program P4: Oscillators & Filters 4-1: Oscillators & Filters285Program P4: Oscillators & Filters4-1: Oscillators & Filters4-1a: Osc

EXi: MS-20EX286SCALE [32’, 16’, 8’, 4’]Adjusts the pitch of Oscillator 1 in steps of an octave. With each halving of the “feet” value, the pitch goes

Program P4: Oscillators & Filters 4-1: Oscillators & Filters2874-1b: High Pass FilterHPFThis filter cuts out the parts of the sound which ar

EXi: MS-20EX288TRANSPOSE [-24.00…+24.00]This controls the coarse tuning, in half-steps and cents, up or down two octaves. You can modulate this smooth

Program P5: MG, EG, & Modulation 5-1: MG, EG, & Modulation289Program P5: MG, EG, & Modulation5-1: MG, EG, & Modulation5–1a: VOLTAGE

iii Contents Program mode: HD-1 . . . . . . . . . . . . . .1 HD-1 Overview. . . . . . . . . . . . . . . . . . . . . . . . . 1Program P0: Play . . .

Program mode: HD-120MIXER KNOBS [Channel Strip, Individual Pan]The Mixer Knobs switch is on the front panel, immediately to the right of the knobs, an

EXi: MS-20EX290On (LED lit): When TEMPO SYNC is On, the MG synchronizes to the system tempo, as set by either the Tempo knob or MIDI Clock. The MG spe

Program P5: MG, EG, & Modulation 5-1: MG, EG, & Modulation291EG 2 HOLD TIMEATTACK TIME [0.00…10.00]Adjusts the time from the EG trigger (e.

EXi: MS-20EX292AMP [–10.00…+10.00]Specifies the depth and direction of the modulation applied to the amp (VCA). This scales the combined effect of the

Program P6: Patch Panel 6-1: Patch Panel293Program P6: Patch Panel6-1: Patch PanelUsing the Patch PanelBasic patching rulesMost of the main section

EXi: MS-20EX294Clearing all connections from the Patch PanelTo completely clear the Patch Panel, so that you can start from scratch:1. Open the menu,

Program P6: Patch Panel 6-1: Patch Panel295Tip: Creating self-triggering patchesNormally, new notes and EGs 1 and 2 are triggered by playing notes

EXi: MS-20EX296(LPF) CUTOFF FREQ input jackThis input modulates the cutoff frequency of the Lowpass Filter.(LPF) IN jackThis Patch Panel modification p

Program P6: Patch Panel 6-1: Patch Panel297When the CLOCK input is high, the OUT jack will carry a slightly filtered version of the signal from the

EXi: MS-20EX298Note that the MG’s LED is on when it is low. Initially, this seems like the opposite of what one might expect. When using the MG to tri

Program P6: Patch Panel 6-1: Patch Panel2996–1j: MIXERS 1 and 2MIXER 1This is a simple 2-in, 1-out mixer; you can use it for merging and scaling ei

Program P0: Play 0–9: Control Surface21Solo switch and Select switches 1–2Solo [Off, On]Solo lets you isolate one or more Oscillators or Audio Inpu

EXi: MS-20EX300SIGNAL IN jackThis is the input to the External Signal Processor. To use this with live audio input, connect the EXi AUDIO IN jack to t

Program P6: Patch Panel 6-1: Patch Panel301THRESHOLD, LOW CUT FREQ and HIGH CUT FREQ controls, or when using other controls to modify the input sig

EXi: MS-20EX302AMS [List of AMS Sources]This selects the modulation source to route into the patch panel. For a list of AMS sources, see “AMS (Alterna

Program P7: EG 3-6 7-1: EG 3303Program P7: EG 3-6The MS-20EX has four assignable EGs, in addition to the original MS-20 EGs 1 and 2. Each of these

EXi: MS-20EX3049-1: AMS Mixers 1-29-2: AMS Mixers 3-4The MS-20EX’s AMS Mixers are identical to those of the AL-1 (although the MS-20EX has four, to th

MS-20EX Tone Adjust Common Tone Adjust parameters305MS-20EX Tone AdjustMS-20EX Tone Adjust Default SettingsTone Adjust provides an elegant physical

EXi: MS-20EX306All of the additional parameters are listed below. Tone Adjust parameters may affect the internal parameters in one of two ways: they m

307EXi: PolysixEXPolysixEX OverviewThe PolysixEX is a rich-sounding, easy-to-use, high-polyphony virtual analog synth (up to 172 voices!). It combines

EXi: PolysixEX308On-screen knobs and switches, and the Parameter Details areaParameter DetailsThe LCD displays include graphic knobs and switches for

EXi Program P0: Play 0–1: Main309EXi Program P0: Play0–1: MainThis is the main page of Program mode. For a full description of this page and all of

Program mode: HD-1220–9c: Audio InputsThis Control Assign setting lets you adjust the volume, pan, and FX send settings for each of the six audio inpu

EXi: PolysixEX310Common Step SequencerThis shows a graphic overview of the Common Step Sequencer.Press this area to jump to the Common Step Sequencer

Program P4: Main 4-1: Main311Program P4: Main4-1: Main4-1a: VCOVIBRATO INT [0.00...10.00]Moving the joystick “up” from the center detent position,

EXi: PolysixEX312Pulse waveform at different widthsPWM SPEED [0.00...10.00]The PolysixEX has an LFO dedicated to pulse width modulation (PWM). This ad

Program P4: Main 4-1: Main313KBD TRACK [0.0…150.0]Adjusts the depth to which the cutoff frequency will change according to the note number, centere

EXi: PolysixEX314VOLUME [0.00...10.00]This controls the main output level. It affects all voices at once, and so it cannot be modulated by per-voice A

Program P4: Main 4-1: Main315▼ 4–1: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more information on

EXi: PolysixEX316Program P5: Modulation & Arpeggiator5-1: Modulation & Arpeggiator5-1a: EXTERNAL MODULATIONThe External Modulation section off

Program P5: Modulation & Arpeggiator 5-1: Modulation & Arpeggiator317BASE NOTE [1/1...1/32]When TEMPO SYNC is ON, this sets the basic speed

EXi: PolysixEX318AMS lets you switch to the opposite of the programmed setting. For instance, if LATCH is set to On, and the AMS Mode is set to Moment

PolysixEX Tone Adjust Common Tone Adjust parameters319PolysixEX Tone AdjustPolysixEX Tone Adjust Default SettingsTone Adjust provides an elegant ph

Program P0: Play 0–9: Control Surface23Audio Input Pan (1–6) [L000…C064…R127]These control the pan for Analog Inputs 1–4 and S/P DIF Left and Right

EXi: PolysixEX320VCOVibrato IntVibrato Int AMS IntVCO OctaveVCO WaveformPW/PWMPW/PWM AMS IntPWM SpeedPWM Speed AMS IntSub OscSub Osc AMS IntVCFFilter

321Combination modeCombination P0: PlayThis is the main page of Combination mode. Among other things, you can:• Select combinations• Edit the KARMA fu

Combination mode322Each bank contains rewritable combination program areas for 128 combinations (a total of 1,792).Note: Pressing one of the BANK SELE

Combination P0: Play 0–1: Program Select/Mixer323Category/Combination SelectYou can select combinations by category and sub-category. All combinati

Combination mode3240–1b: Timbre Program SelectSelected Timbre InfoThis area shows information on the timbre selected for editing. T: Timbre number/pro

Combination P0: Play 0–1: Program Select/Mixer325If bank select and program change messages are received on a MIDI channel that matches the MIDI ch

Combination mode326L001…C064…R127: A setting of L001 is far left and R127 is far right. A setting of C064 will reproduce the pan setting of the Progra

Combination P0: Play 0–6: KARMA GE327Gray Timbre/Track number, and [Inactive] shown after Program nameIf you’ve already loaded Programs which use t

Combination mode328The settings of the KARMA ON/OFF and LATCH switches, KARMA SCENES 1–8 switches, KARMA SLIDERS 1–8, and KARMA SWITCHES 1–8 are saved

Combination P0: Play 0–6: KARMA GE329Module ID [A, B, C, D, P]Indicates which parameters you are controlling from the KARMA SLIDERS or KARMA SWITCH

Program mode: HD-124These External Setups are completely separate from the Program. You can think of External mode as being a separate control surface

Combination mode330• 4: Initialize KARMA Module. For more information, see “Initialize KARMA Module” on page 409.• 5: Copy Scene. For more information

Combination P0: Play 0–8: Audio Input/Sampling331FX BalanceIFX: This controls the “Wet/Dry” balance of all insert effects. A setting of +10 is Wet

Combination mode3320–8a: Audio InputUse Global setting [Off, On]On (checked): The Audio Input settings (Input1, Input2, Input3, Input4, S/P DIF L, S/P

Combination P0: Play 0–9: Control Surface333▼ 0–8: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more

Combination mode334Control Assign Switches and TabsYou can switch the Control Surface between its different functions using either the tabs on the lef

Combination P0: Play 0–9: Control Surface335Resetting the Vector JoystickTo reset the Vector Joystick to the center position, hold down RESET CONTR

Combination mode336Send 1 [000…127]This controls the send level into FX Send 1. If the Timbre’s Output Bus parameter is set to L/R or OFF, it scales t

Combination P0: Play 0–9: Control Surface3370–9c: Audio InputsThis Control Assign setting lets you adjust the volume, pan, and FX send settings for

Combination mode338Play/Mute (1–6) [Play, Mute]When this switch is on (LED = on), the input will be enabled. When the switch is off (LED = off), the i

Combination P0: Play 0–9: Control Surface3390–9d: ExternalThis Control Assign setting lets you send MIDI messages to external devices. Each slider,

Program P0: Play 0–9: Control Surface25Control [SW1…8, SL1…8]This shows which Switch or Slider is currently selected.Assignment [Name]Each KARMA Sl

Combination mode340CC# Assign (1–8) [Off, 000…119]This read-only parameter shows the MIDI CC sent by the slider.Value (1–8) [000…127]This is the curre

Combination P0: Play 0–9: Control Surface341Knobs 1–8Knobs 1–4 all have dedicated functions which correspond to MIDI CCs. Knobs 5–8 can be assigned

Combination mode3420–9f: Tone AdjustTone Adjust provides two important features simultaneously:• It lets you use all of the sliders, knobs, and switch

Combination P0: Play 0–9: Control Surface343Once the Program has been loaded, you can change any or all of the Tone Adjust settings as desired, inc

Combination mode344Switch Status [Off, On]This simply shows whether the switch is On or Off. The status is also shown by the LEDs in the physical butt

Combination P0: Play 0–9: Control Surface345LFO2 Speed. This scales LFO2’s frequency. When the LFO is in MIDI/Tempo mode, this adjusts the Base Not

Combination mode346Combination P1: EQ/Vector/Controller1–1: Timbre EQEach Timbre has a dedicated three-band EQ, with sweepable mid band. This page let

Combination P1: EQ/Vector/Controller 1–1: Timbre EQ347Timbre 01 (Timbre Number)Auto Load Prog EQ [Off, On]When you first load a Program into a Timbr

Combination mode3481–5: Vector Volume ControlVector Synthesis lets you control Timbre volumes and Program & Effects parameters by moving the Vecto

Combination P1: EQ/Vector/Controller 1–5: Vector Volume Control349Vector Synthesis system, Combi mode1–5b: Vector Volume ControlVector Volume Contr

Program mode: HD-126Master Volume SliderMaster Volume [000…127]This controls the volume of the main stereo outputs, after the Total Effects. It does n

Combination mode350Equal Amount [Off, On]This applies only when Enable Volume Control is On.When Equal Amount is On, the Vector will fade between all

Combination P1: EQ/Vector/Controller 1–6: Vector CC Control351Timbre Center Volume, VJS Assign = –XEnable Program Vector Volume [Off, On]When this

Combination mode352Finally, you can optionally send these CCs out to external MIDI instruments. A global parameter allows you to enable or disable thi

Combination P1: EQ/Vector/Controller 1–6: Vector CC Control353–X [Off…MIDI CC#119]This assigns the controller sent by the –X vector. It will be gra

Combination mode3541–7: Vector EnvelopeThe Vector Envelope works together with the Vector Joystick to control the Vector position. It’s particularly c

Combination P1: EQ/Vector/Controller 1–7: Vector Envelope355seconds and milliseconds, you can specify the EG times as rhythmic values, using the Ba

Combination mode356Time [0ms…60sec]This parameter lets you set the Hold Time in seconds and milliseconds. It applies only when the Mode is set to Time

Combination P1: EQ/Vector/Controller 1–8: Set Up Controllers357▼ 1–7: Page Menu Commands The number before each command shows its ENTER + number-ke

Combination mode358Knob 5 [Off, …, MIDI CC#119]Knob 6 [Off, …, MIDI CC#119]Knob 7 [Off, …, MIDI CC#119]Knob 8 [Off, …, MIDI CC#119]▼ 1–8: Page Menu Co

Combination P1: EQ/Vector/Controller 1–9: Set Up Pads359Gch: Use the global MIDI Channel setting. This is the default. For more information, see “M

Program P0: Play 0–9: Control Surface27Absolute parameters usually control a single Program parameter, such as Oscillator 1 Transpose. The Program

Combination mode360Combination P2: Timbre Parameters2–1: MIDIHere you can make MIDI settings for each timbre.2–1a: MIDITimbre 01Status [Off, INT, EXT,

Combination P2: Timbre Parameters 2–2: OSC361▼ 2–1: Page Menu Commands The number before each command shows its ENTER + number-key shortcut. For mo

Combination mode362PRG: Portamento will be applied as specified by the program settings.Off: Portamento will be off, even if the original program setti

Combination P2: Timbre Parameters 2–3: Pitch3632–3: PitchHere you can make pitch-related settings for each timbre.2–3a: PitchTimbre 01Transpose [–6

Combination mode364Off (unchecked): The scale specified by Scale (2–3b) will be used.Timbres 02…16These are the pitch-related settings for timbres 2 th

Combination P2: Timbre Parameters 2–5: Wave Sequence/KARMA365Time [ms] [0000…6000ms, KeyOff]Specifies the time (delay time) from note-on until the t

Combination mode366PRG: The setting of the program is used.Off: Key Sync is forced off. The wave sequence of each note will synchronize to the same st

Combination P2: Timbre Parameters 2–6: EXi Audio Input3672–6: EXi Audio InputThese parameters let you route audio into EXi instruments which suppor

Combination mode368Combination P3: MIDI Filter/Zones3–1: MIDI Filter1These settings allow you to apply filters to the MIDI data that will be transmitte

Combination P3: MIDI Filter/Zones 3–2: MIDI Filter2369Enable JS+Y [Off, On]Specifies whether MIDI CC#1 (the +Y axis of the OASYS’s joystick, or a re

Program mode: HD-128Value [Depends on parameter]This shows the current value of the parameter. The range of values will vary depending on the paramete

Combination mode370Enable Realtime Control Knob 5 [Off, On]Enable Realtime Control Knob 6 [Off, On]Enable Realtime Control Knob 7 [Off, On]Enable Real

Combination P3: MIDI Filter/Zones 3–5: Keyboard Zones371Timbres 02…16These are the MIDI Filter3 settings for timbres 2 through 16. They are the sam

Combination mode37272: The volume will increase gradually as you play downward, and will reach the original volume six octaves below the top key.Botto

Combination P3: MIDI Filter/Zones 3–6: Velocity Zones3733–6: Velocity ZonesSets the Top/Bottom Velocity parameters to specify the range of velociti

Combination mode374“Top Velocity” and “Bottom Velocity” settings can also be input by holding down the ENTER switch and playing a note on the keyboard

Combination P7: KARMA 7–1: GE Setup/Key Zones375Combination P7: KARMAHere you can make KARMA function settings for the combination. In Combination

Combination mode376Load GE Options [Dialogue]These options let you specify whether the values and assignments for controllers such as the KARMA SLIDER

Combination P7: KARMA 7–1: GE Setup/Key Zones377Off (unchecked): The selected Module will receive data from the specified “Input Channel,” and will

Combination mode378When you play the keyboard, you will hear the bass of timbre 1, whose MIDI channel is set to Gch. Since timbre 2 is set to MIDI cha

Combination P7: KARMA 7–2: MIDI Filter/CC Offset3797–2: MIDI Filter/CC Offset7–2a: MIDI FilterReceive MIDI FilterFor each KARMA Module, specify whe

Program P0: Play 0–9: Control Surface29Pitch EG Release Time. (–99…+99)This scales the release times of the Pitch EG (or EGs, in the case of some E

Combination mode380CC Number [Off, MIDI CC#00…CC#95]Value [000…127]▼ 7–2: Page Menu CommandsThe number before each command shows its ENTER + number-ke

Combination P7: KARMA 7–4: Module Parameters-Trigger381Clock AdvanceMode [Auto, Dyn, Auto+Dyn, Auto+Dyn2]Size [3, 3, , 3, , , 3, , , 3,

Combination mode382DelayDelay Start [Off, Fixed, 64T …4x1]Delay Start Fixed [0000ms…5000ms]Please see “Delay” on page 108.NoteNote Trigger [Any, AKR,

Combination P7: KARMA 7–5: GE Real-Time Parameters3837–5: GE Real-Time ParametersHere you can edit the Real-Time Parameters of the GE for each KARM

Combination mode3847–5c: GE Real-Time Parameters for Module Control = A, B, C, DModule Control = A, B, C and D let you control GE Real-Time Parameters

Combination P7: KARMA 7–6: Perf Real-Time Parameters385duration setting. If you disconnect the Master Layer, the duration value indicated by the Mo

Combination mode386A/B/C/D [Off, On]Specifies whether the Perf Real-Time Parameter settings will be valid for each Module.On (checked): The Perf Real-T

Combination P7: KARMA 7–7: Dynamic MIDI3877–7: Dynamic MIDIDynamic MIDI is a function that lets you use this instrument’s controllers and MIDI cont

Combination mode388• 2: Copy KARMA Module. For more information, see “Copy KARMA Module” on page 408.• 3: Initialize KARMA Module. For more informatio

Combination P7: KARMA 7–8: Random Seeds389Duration (Duration Seed)Controls the randomizable characteristics for the Duration Group, similar to thos

iv 4–1: OSC Basic . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1744–2: Sub/Noise/Ring Mod. . . . . . . . . . . . . . . . . . 1774–3: Mi

Program mode: HD-130The list of Multisamples, Wave Sequences, or Drum Kits can be quite long. The sliders or knobs will let you sweep through the enti

Combination mode3907–9: Name/Note MapHere you can assign the names for KARMA SLIDERS 1–8 and KARMA SWITCHES 1-8, view Global Note Map Tables, and edit

Combination P7: KARMA 7–9: Name/Note Map391▼ 7–9: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more

Combination mode392Combination P8: Insert EffectYou can also specify the bus routing for the program used by each timbre 1–16. For instance, you can:•

Combination P8: Insert Effect 8–1: Routing13938–1b: Routing1Timbre 01 (Timbre Number)Bus Select (IFX/Indiv. Out Assign) Dkit [Off, On]You can selec

Combination mode394Example: Inserting a single IFX into multiple timbreExample: Inserting a separate IFX into each timbre, and then inserting an IFX a

Combination P8: Insert Effect 8–2: Routing2395• 1: Exclusive Solo. For more information, see “Exclusive Solo” on page 138.• 2: Copy Insert Effect.

Combination mode396Off: The signal will not be sent to a REC bus. Normally you will leave this off.1…4: The output of the timbre will be sent to the c

Combination P8: Insert Effect 8–5: Insert FX397IFX1 [000…185]IFX1 On/Off [Off, On]Chain to [IFX2…IFX12]Chain [Off, On]Pan(CC#8) (Post IFX Pan) [L00

Combination mode3988–6: Track View8–6a: Track ViewHere you can view the timbre output and insert effect routing.Used in TracksThe upper and lower rows

Combination P8: Insert Effect 8–7: IFX 1–12399• 4: Insert IFX Slot. For more information, see “Insert IFX Slot” on page 150.• 5: Cut IFX Slot. For

Program P0: Play 0–9: Control Surface31Default Tone Adjust SettingsTone Adjust provides an elegant physical interface to the HD-1’s parameters. Mos

Combination mode400P (Effect Preset) [P00, P01…15, U00…15, --------]Effect Presets let you easily store and recall all of the settings for an individu

Combination P8: Insert Effect 8–9: Common FX LFO4018–9: Common FX LFOThe two Common FX LFOs allow you to synchronize LFO-based modulation for multi

Combination mode402Combination P9: Master/Total EffectHere you can make settings for the master effects and total effects. For instance, you can:• Rou

Combination P9: Master/Total Effect 9–2: MFX14039–1c: Master VolumeMaster Volume [000…127]▼ 9–1: Page Menu CommandsThe number before each command s

Combination mode404For instance, you can save an Effect Preset while working on a particular Combination, and then later use the same Effect Preset in

Combination: Page Menu Commands ENTER + 0–9: shortcuts for menu commands405Combination: Page Menu CommandsENTER + 0–9: shortcuts for menu commandsE

Combination mode406IFX-All: The settings of all insert effect settings (the contents of the Insert FX page and the IFX1–12 effect parameters) of the c

Combination: Page Menu Commands Copy Tone Adjust407• Initialize: Sets sampling-related parameters to their default state.Resample Combination Play:

Combination mode408The window will cover the parameters for some of the Timbres on either the right or left sides of the display. If you select one of

Combination: Page Menu Commands Initialize KARMA Module409In addition to the content copied when “GE RTP Control Setting & Scenes” is Off (unch

Program mode: HD-132Program P1: Basic/Vector1–1: Program BasicThis page contains all of the basic settings for the Program. Among other things, you ca

Combination mode410Copy Insert EffectThis command copies effects settings from Program, Combination, Song, or Sampling modes. For more information, pl

411Sequencer modeSequencer OverviewThe OASYS contains a sophisticated sequencer that integrates a 16-track MIDI sequencer with a 16-track hard disk re

Sequencer mode412to return to Program mode and edit the program itself.• OASYS’s AMS (Alternate Modulation) capability lets you use control changes fo

Sequencer Overview Setup parameters & Musical data413Disk mode to create an audio CD from these WAVE files.• In addition to the song name, you

Sequencer mode414recommend that you delete unused WAVE files so that space on the internal hard disk is not occupied unnecessarily.Tip: Auto Song Setup

Sequencer P0: Play/REC 0–1: MIDI Track Prog Select/Mixer415Sequencer P0: Play/REC0–1: MIDI Track Prog Select/MixerHere you can make basic settings

Sequencer mode416Changing the time signature in the middle of a songIf you know beforehand the location at which you wish to change time signatures in

Sequencer P0: Play/REC 0–1: MIDI Track Prog Select/Mixer417Tempo changes can also be created using the “MIDI Event Edit” or “Create Control Data” m

Sequencer mode418Multi REC [Off, On]On (checked): Multi-track recording setup is enabled. Select this if you want to record two or more tracks simulta

Sequencer P0: Play/REC 0–1: MIDI Track Prog Select/Mixer419• If you’ve chosen “Program Select,” the front-panel BANK buttons will change the progra

Program P1: Basic/Vector 1–1: Program Basic33Polyphony also depends on the effects being used, and on which synthesis types are being used (HD-1, A

Sequencer mode420If a mono insert effect is in use, the settings you make here will be ignored. In this case, the “Pan (CC#8)” parameter in P8– Insert

Sequencer P0: Play/REC 0–2: Audio Track Mixer4210–2: Audio Track MixerHere you can make settings for recording and playback of audio tracks in the

Sequencer mode422Audio Input 1…4, Audio Input 1/2 and 3/4: Choose these to record directly from analog inputs 1-4. The input signal will be recorded d

Sequencer P0: Play/REC 0–2: Audio Track Mixer423S/P DIF L, R, S/P DIF L/R: Choose these if you want to record the input from the S/P DIF jack. The

Sequencer mode424REC 1, 2, 1/2, REC 3, 4, 3/4: The REC 1/2 or REC 3/4 buses will be recorded. Choose this if you want to record only the audio input w

Sequencer P0: Play/REC 0–2: Audio Track Mixer425Note: You can use the control surface to control Play/Rec/Mute. You can also make this setting from

Sequencer mode426• 0: Memory Status. For more information, see “Memory Status” on page 524.• 1: Exclusive Solo. For more information, see “Exclusive S

Sequencer P0: Play/REC 0–3: MIDI Track Loop427For example, you can use this on a drum track to make it play a fill-in and then begin looping.Off (un

Sequencer mode4280–5: PreferencesHere you can specify the realtime recording method, adjust levels and make other settings for audio recording, and ad

Sequencer P0: Play/REC 0–5: Preferences429If you select Auto Punch In, the display will indicate “M***–M*** (Auto Punch In Start Measure–Auto Punch

Program mode: HD-134This setting does not limit the Unison Number of Voices parameter. For instance, if Max # of Notes is set to 6, and Unison Number

Sequencer mode430Audio track monitor channels(Line: REC Source, Track: track playback)Source Direct Solo [Off, On]On (checked): Only the signal of the

Sequencer P0: Play/REC 0–5: Preferences431Name 1…4Here you can specify the names of the regions and WAVE files that will be created when you record

Sequencer mode4320–6: KARMA GEThis page gives you an overview of the four KARMA Modules (A-D), and lets you make basic adjustments. For more detailed

Sequencer P0: Play/REC 0–6: KARMA GE4330–6d: Real-Time Controls1…8KARMA SWITCHKARMA SWITCH Stored valueKARMA SWITCH Control Timbre Category NameKAR

Sequencer mode4340–7: Controller View/EffectHere you can view the function that is assigned to the vector joystick, SW1 and 2, and knobs 5–8, and view

Sequencer P0: Play/REC 0–8: Audio In/Sampling435• 0: Memory Status. For more information, see “Memory Status” on page 524.• 1: Exclusive Solo. For

Sequencer mode436If you want to have separate Audio Input settings for each song, uncheck this box and make the desired Audio Input settings here.Inpu

Sequencer P0: Play/REC 0–9: Control Surface437Sample Time [min sec]For more information, please see “Sample Time” on page 16.▼ 0–8: Page Menu Comma

Sequencer mode438• Control each Track’s EQ settings and Master Effects Send levels• Modulate sounds and effects using the Real Time Knobs• Control KAR

Sequencer P0: Play/REC 0–9: Control Surface439When it is set to Catch, you need to move the slider or knob so that it “catches” the parameter, by p

Program P1: Basic/Vector 1–1: Program Basic35Thickness [Off,01…09]Thickness is available when Unison is On. This parameter controls the character o

Sequencer mode440Note: With some EXi instruments, such as the CX-3, notes cannot be panned individually. For these EXi, Random pan will move all sound

Sequencer P0: Play/REC 0–9: Control Surface441On most pages, you can also toggle Exclusive Solo by holding ENTER and pressing 1 on the numeric keyp

Sequencer mode4420–9c: Audio InputsThis Control Assign setting lets you adjust the volume, pan, and FX send settings for each of the six audio inputs:

Sequencer P0: Play/REC 0–9: Control Surface443Solo switch and Select switches 1–6Solo [Off, On]Solo lets you isolate one or more MIDI Tracks, HDR A

Sequencer mode4440–9e: ExternalThis Control Assign setting lets you send MIDI messages to external devices. Each slider, knob, and switch can be assig

Sequencer P0: Play/REC 0–9: Control Surface445CC# Assign (1–8) [Off, 000…119]This read-only parameter shows the MIDI CC sent by the slider.Value (1

Sequencer mode446Knobs 1–8Knobs 1–4 all have dedicated functions which correspond to MIDI CCs. Knobs 5–8 can be assigned to a wide variety of function

Sequencer P0: Play/REC 0–9: Control Surface4470–9g: Tone AdjustTone Adjust provides two important features simultaneously:• It lets you use all of

Sequencer mode448Once the Program has been loaded, you can change any or all of the Tone Adjust settings as desired, including both assignments and va

Sequencer P0: Play/REC 0–9: Control Surface449On Value [Depends on parameter]The parameter is set to this value when the switch is On.When the swit

Program mode: HD-136Wave Sequence SwingSwing uses the Wave Sequence’s Resolution settingSince the programmed rhythms of Tempo Wave Sequences can vary

Sequencer mode450Sequencer P1: EQ/Vector/Controller1–1: MIDI Track EQEach Track has a dedicated three-band EQ, with sweepable mid band. This page lets

Sequencer P1: EQ/Vector/Controller 1–1: MIDI Track EQ451Regardless of this setting, subsequent edits to the Program’s EQ in Program mode will not a

Sequencer mode4521–2: Audio Track EQHere you can adjust the three-band EQ (with sweepable mid range) for audio track.1–2a: 3 Band Parametric EQTrack 0

Sequencer P1: EQ/Vector/Controller 1–5: Vector Volume Control453• 3: Delete Song. For more information, see “Delete Song” on page 524. • 4: Copy Fr

Sequencer mode454Vector Synthesis system, Sequencer mode1–5a: Vector Volume ControlVector Volume Control lets you adjust the relative volumes of the 1

Sequencer P1: EQ/Vector/Controller 1–5: Vector Volume Control455Equal Amount [Off, On]This applies only when Enable Volume Control is On.When Equal

Sequencer mode456Enable Program Vector Volume [Off, On]When this is turned On, the Program’s Vector Volume control will function as it does in Program

Sequencer P1: EQ/Vector/Controller 1–6: Vector CC Control457The Vector CCs are also sent to all Global Channel Tracks. These may modulate Program p

Sequencer mode458Vector CC ModesShow Point [VJS, Vector EG Point 0…4]You can view the volume and CC values for the current position of the Vector Joy

Sequencer P1: EQ/Vector/Controller 1–7: Vector Envelope4591–7: Vector EnvelopeThe Vector Envelope works together with the Vector Joystick to contro

Program P1: Basic/Vector 1–1: Program Basic37Note that for many of the scales, the setting of the Key parameter, below, is very important.Equal Tem

Sequencer mode460seconds and milliseconds, you can specify the EG times as rhythmic values, using the Base Note and x (Multiply Base Note by…) paramet

Sequencer P1: EQ/Vector/Controller 1–7: Vector Envelope461Time [0ms…60sec]This parameter lets you set the Hold Time in seconds and milliseconds. It

Sequencer mode462▼ 1–7: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more information on these shortcut

Sequencer P1: EQ/Vector/Controller 1–8: Set Up Controllers463Momentary: The function will be on only while you continue holding down the SW1 switch

Sequencer mode4641–9: Set Up PadsThere are eight velocity-sensitive trigger pads below the LCD screen. These look like drum machine pads, and playing

Sequencer P1: EQ/Vector/Controller 1–9: Set Up Pads465Off: Select this to disable the note.C–1…G9: This sets the note number.001…127: This sets the

Sequencer mode466Sequencer P2: Track Parameters2–1: MIDIHere you can make MIDI-related settings for each MIDI track.2–1a: MIDITrack 01 (Track Number)S

Sequencer P2: Track Parameters 2–1: MIDI467MIDI Channel [01…16]Specifies the MIDI channel that the MIDI track will use to transmit and receive music

Sequencer mode4682–2: OSCThese parameters specify how each MIDI track will be sounded.2–2a: OSCTrack 01 (Track Number)Force OSC Mode [PRG, Poly, MN, L

Sequencer P2: Track Parameters 2–2: OSC469This setting does not limit the Unison Number of Voices parameter. For instance, if Max # of Notes is set

Program mode: HD-1381–5: Vector ControlVector Synthesis lets you control Program and Effects parameters by moving the Vector Joystick, by using the pr

Sequencer mode4702–3: PitchHere you can make pitch-related settings for each MIDI track.2–3a: PitchTrack 01 (Track Number)Transpose [–60…+00…+60]Adjus

Sequencer P2: Track Parameters 2–4: Delay4712–3b: ScaleScaleSpecifies the scale that the song will use. For more information, please see “1–1g: Scal

Sequencer mode4722–4a: DelayTrack 01 (Track Number)Mode [Time, Tempo]This selects whether the Track delay will be set in milliseconds, or in rhythmic

Sequencer P2: Track Parameters 2–5: Wave Sequence/KARMA4732–5: Wave Sequence/KARMAHere you can make settings related to wave sequence and KARMA fun

Sequencer mode474by On (OSC Off by KARMA On): The track will not sound when the KARMA ON/OFF switch is on.The track will sound as usual when the KARMA

Sequencer P2: Track Parameters 2-6: EXi Audio Input4752-6: EXi Audio InputThese parameters let you route audio into EXi instruments which support a

Sequencer mode4762–7: Audio Track DelayHere you can specify a delay time by which the audio events of each audio track will be delayed relative to the

Sequencer P3: MIDI Filter/Zones 3–1: MIDI Filter1477Sequencer P3: MIDI Filter/Zones3–1: MIDI Filter1Here you can select whether or not to apply filt

Sequencer mode478Enable JS+Y [Off, On]Specifies whether or not MIDI CC#1 (the +Y axis of the OASYS’s joystick, or a Modulation Knob Assign setting) wil

Sequencer P3: MIDI Filter/Zones 3–2: MIDI Filter24793–2: MIDI Filter2Here you can enable transmission for the REALTIME CONTROLS 1–8 knobs. The MIDI

Program P1: Basic/Vector 1–5: Vector Control39Vector Volume Control and CC ControlThe Vector does two main things: it can control the relative volu

Sequencer mode480• 10: Copy From Combination. For more information, see “Copy from Combination” on page 526.• 11: Copy From Program. For more informat

Sequencer P3: MIDI Filter/Zones 3–5: Keyboard Zones481• 4: Copy From Song. For more information, see “Copy From Song” on page 524. • 5: Load Templa

Sequencer mode482Bottom Slope [00, 01, 02, 03, 04, 06, 08, 10,12, 18, 24, 30, 36, 48, 60, 72]Specifies the range of keys (12 is one octave) over which

Sequencer P3: MIDI Filter/Zones 3–6: Velocity Zones4833–6: Velocity ZonesHere you can set the Top/Bottom Velocity parameters to specify the range o

Sequencer mode484▼ 3–6: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more information on these shortcut

Sequencer P4: Track Edit 4–1: Track Edit485Sequencer P4: Track Edit4–1: Track EditHere you can edit MIDI tracks, the master track, and audio tracks

Sequencer mode4864–1b: Track Select, From Measure, To End of MeasureTrack Select [MIDI Track01…MIDI Track16, MasterTrack, Audio Track01…Audio Track16]

Sequencer P4: Track Edit 4–2: MIDI Track Name487• 14: Region Edit. For more information, see “Region Edit” on page 550.• 15: Volume Ramp. For more

Sequencer mode4884–3: AUDIO Track NameHere you can assign a name to each audio track.4–3a: Audio Track NamesT01…T16 [Audio Track Name]Here you can ren

Sequencer P5: Pattern/RPPR 5–1: Pattern Edit489Sequencer P5: Pattern/RPPROn the OASYS you can use preset patterns P00–155, and user patterns U00–99

v Program P7: EG 3-6 . . . . . . . . . . . . . . . . . . . 303 7-1: EG 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3037-2:

Program mode: HD-140OSC2 Center Volume [0, 25, 50, 75, 100%]This sets the volume of Oscillator 2 at the center of the X axis.The volumes at the extrem

Sequencer mode4905–1b: Pattern, Pattern Select, Metronome, Remove DataHow to record a user pattern1. Use “Song Select” to select the song in which you

Sequencer P5: Pattern/RPPR 5–2: Pattern Name4915–2: Pattern Name5–2a: User Pattern NamesPattern name [U00…U99]Here you can rename the pattern. Pres

Sequencer mode4925–3: RPPR SetupHere you can make settings for the RPPR (Realtime Pattern Play/Recording) function. RPPR lets you assign patterns to i

Sequencer P5: Pattern/RPPR 5–3: RPPR Setup4935–3b: KEY, Keyboard & Assigned graphicsKEY (Key Select) [C#2…C8]Specifies the key to which you want

Sequencer mode494• When Beat or Measure are selected, pattern playback will begin when you press the first key. The second and subsequent patterns tha

Sequencer P7: KARMA 5–3: RPPR Setup495Sequencer P7: KARMAHere you can make settings for the KARMA functions used in Sequencer mode. A Sequencer mod

Sequencer mode4967–1: GE Setup/Key ZonesHere you can select the GE that will be used by each KARMA Module, and specify the Key Zone and MIDI Setup for

Sequencer P7: KARMA 7–1: GE Setup/Key Zones497Btm (Key Zone Bottom) [C–1…G9]Top (Key Zone Top) [C–1…G9]Please see “Key Zones” on page 376.Note: In

Sequencer mode498“Program Select”: a Bass category programMIDI Channel: 023. Set KARMA Module [A] as follows.“GE Select”: a riff of GE category Guitar

Sequencer P7: KARMA 7–1: GE Setup/Key Zones499“Input Channel”: 01“Output Channel” 015. Set KARMA Module [B] as follows.“GE Select”: a riff of GE ca

Program P1: Basic/Vector 1–5: Vector Control41Finally, you can also assign +X to control the Master Volume.–X [Off…MIDI CC#119]This assigns the con

Sequencer mode5007–2: MIDI Filter/CC Offset7–2a: MIDI FilterReceive MIDI FilterAfter Touch [Off, On]Pitch Bend [Off, On]Damper (CC#64) [Off, On]JS+Y (

Sequencer P7: KARMA 7–3: Module Parameters-Control501• 3: Initialize KARMA Module. For more information, see “Initialize KARMA Module” on page 409.

Sequencer mode502(Note Map Keyboard Track) [Off, On]Note Map Table DisplayFor more information, see “Note Map” on page 106.▼ 7–3: Page Menu CommandsTh

Sequencer P7: KARMA 7–5: GE Real-Time Parameters503Envelope1, Envelope2, Envelope3Envelope Trigger [Any, AKR, 1st, Dyn]Envelope Latch [Off, Sus1, R

Sequencer mode504 (Tempo) [040.00…240.00, EXT]For more information, see “Tempo” on page 5.7–5b: GE Real-Time Parameters for Module Control = MasterG

Sequencer P7: KARMA 7–6: Perf Real-Time Parameters5057–6: Perf Real-Time ParametersHere you can assign controllers to KARMA Performance Real-Time P

Sequencer mode5067–7: Dynamic MIDIDynamic MIDI is a function that lets you use this instrument’s controllers and MIDI control messages to control spec

Sequencer P7: KARMA 7–8: Random Seeds5077–8: Random SeedsThe Random Seeds page allows you to control some of the randomizable characteristics of a

Sequencer mode5087–9: Name/Note MapHere you can assign the names for KARMA SLIDERS 1-8 and KARMA SWITCHES 1-8, view Global Note Map Tables, and edit t

Sequencer P8: Insert Effect 8–1: MIDI Routing1509Sequencer P8: Insert EffectYou can also specify the bus routing for the program used by each MIDI

Program mode: HD-1421–6: Vector EnvelopeThe Vector Envelope works together with the Vector Joystick to control the Vector position. It’s also special

Sequencer mode510On (checked): The Bus Select, FX Control Bus, Send1, and Send2 settings for each key of the selected drum kit will be used. Check thi

Sequencer P8: Insert Effect 8–2: MIDI Routing2511• 5: Put Effect Setting To Track. For more information, see “Put Effect Setting to Track” on page

Sequencer mode512inputs to the REC buses for sampling or resampling, and set Source Bus (P0– Audio Input/Sampling 0–8c) to REC1/2 or 3/4 so that these

Sequencer P8: Insert Effect 8–3: Audio Routing1513Bus Select (IFX/Indiv. Out Assign) [L/R, IFX1…12,1…8, 1/2…7/8, Off]This specifies the bus for the

Sequencer mode5148–4: Audio Routing2Here you can specify the buses, effect control bus, and REC bus for the outputs of audio tracks 1–16.8–4a: Audio R

Sequencer P8: Insert Effect 8–5: Insert FX5158–5: Insert FX8–5a: IFXHere you can choose the type of each insert effect 1 through 12, its on/off sta

Sequencer mode516IFX2: Chain to [IFX3…IFX12]IFX3: Chain to [IFX4…IFX12]IFX4: Chain to [IFX5…IFX12]IFX5: Chain to [IFX6…IFX12]IFX6: Chain to [IFX7…IFX1

Sequencer P8: Insert Effect 8–6: Track View5178–6: Track View8–6a: Track ViewHere you can view the track output and insert effect routing.Used in T

Sequencer mode518• 4: Insert IFX Slot. For more information, see “Insert IFX Slot” on page 556.• 5: Cut IFX Slot. For more information, see “Cut IFX S

Sequencer P8: Insert Effect 8–7: IFX 1–12519All Routed: The channel of any MIDI track routed through this effect can be used to control the effect.

Program P1: Basic/Vector 1–6: Vector Envelope43seconds and milliseconds, you can specify the EG times as rhythmic values, using the Base Note and M

Sequencer mode5208–9: Common FX LFOThe two Common FX LFOs allow you to synchronize LFO-based modulation for multiple effects, such as phasers, flangers

Sequencer P9: Master/Total Effect 9–1: Routing521Sequencer P9: Master/Total EffectHere you can make settings for the master effects and total effec

Sequencer mode522• 1: Exclusive Solo. For more information, see “Exclusive Solo” on page 138.• 2: Copy MFX/TFX. For more information, see “Copy MFX/TF

Sequencer P9: Master/Total Effect 9–3: MFX2523• 0: Memory Status. For more information, see “Memory Status” on page 524.• 1: Exclusive Solo. For mo

Sequencer mode524Sequencer: Page Menu CommandsMemory StatusIf you select “Memory Status,” the remaining amount of sequencer memory will be displayed.E

Sequencer: Page Menu Commands Save Template Song525This dialog box is the same as in the page menu command “Copy To MIDI Track”.5. In Pattern, sele

Sequencer mode526Note: When this dialog box is not open, you can hold down the ENTER switch and press the LOCATE switch to set the current location as

Sequencer: Page Menu Commands Copy From Program527GM Initialize ListPage Parameter MIDI Track 1–9, 11–16 Track 10P0 MIDI Prog/MixerProgram Select G

Sequencer mode528Stereo PairThis lets you assign adjacent audio tracks as a stereo pair. The following parameters of paired channels will be linked wi

Sequencer: Page Menu Commands Select Directory529The Auto +12 dB On setting is made independently for Program, Combination, Sequencer, and Sampling

Program mode: HD-144Time [0ms…60sec]This parameter lets you set the Hold Time in seconds and milliseconds. It applies only when the Mode is set to Tim

Sequencer mode5303. The settings for the rest of the procedure will depend on what you selected in step 2. (For details, refer to the explanations bel

Sequencer: Page Menu Commands Auto HDR/Sampling Setup5312. Use “Mode” to specify whether you will bounce in mono or in stereo.Mono: Settings will b

Sequencer mode532Note: Use the page menu command “Select Directory” to specify the location in which the new WAVE file will be created.If you selected

Sequencer: Page Menu Commands Auto HDR/Sampling Setup533S/P DIF IN jack will be input to the OASYS. (0–8a “Audio Input”)3. Use “Mono-L/Mono-R/Stere

Sequencer mode534–: Not set automatically[ ]: Set automatically according to the parameter settings in the dialog box*1[ ] User Global Setting: Edit

Sequencer: Page Menu Commands Copy Tone Adjust5352. Select “Bounce All Tracks To Disk” to open the dialog box.3. Use “Drive Select,” “Open,” and “U

Sequencer mode5364. In “Step Time,” specify the length (in terms of a note value) of the basic interval at which you will input data.From the popup me

Sequencer: Page Menu Commands Audio Event Edit537“Control Change” lets you specify the control change number. Normally you will leave this set at A

Sequencer mode538Note: As long as there is data in the master track, you can open the audio event editing dialog box even if the audio track is empty.

Sequencer: Page Menu Commands Audio Event Edit539The procedure is the same as for “Region Edit.” The region will be changed when you press the OK b

Program P1: Basic/Vector 1–8: Set Up Controllers45▼ 1–6: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. Fo

Sequencer mode540WAVE file waveform display, ZOOMThis area displays the waveform of the WAV file assigned to the region. the waveform display and ZOOM b

Sequencer: Page Menu Commands Set Song Length5413. Measure and Index located in the top line of the dialog box show the measure for editing and the

Sequencer mode542If you do not check All Tracks, All MIDI Tracks, or All Audio Tracks, only the playback data of the track you selected in Track Selec

Sequencer: Page Menu Commands Delete Measure543Audio tracks3. In From Measure select the first measure to be erased, and in To End of Measure select

Sequencer mode5443. In From Measure select the first measure that you wish to delete, and in To End of Measure select the last measure that you wish to

Sequencer: Page Menu Commands Repeat Measure545The playback data in subsequent measures will play just as it did before this command was executed.I

Sequencer mode546If you execute Repeat Measure at a location in the middle of an audio event that spans several measures, a new region will be automat

Sequencer: Page Menu Commands Create Control Data547If All Tracks, All MIDI Tracks, and All Audio Tracks are unchecked, only data from the selected

Sequencer mode548Control change: Control change data will be erased. Use “#” to specify the control change number.After Touch: Aftertouch data will be

Sequencer: Page Menu Commands Shift/Erase Note5498. Use “Swing” to add a sense of swing to the rhythm. For example, this is an easy way to give a s

Program mode: HD-146Knob 5 [Off, …, MIDI CC#119]Knob 6 [Off, …, MIDI CC#119]Knob 7 [Off, …, MIDI CC#119]Knob 8 [Off, …, MIDI CC#119]▼ 1–8: Page Menu C

Sequencer mode550will be modified.2. Select “Modify Velocity” to open the dialog box.3. Specify the range in which note velocity will be modified.From M

Sequencer: Page Menu Commands Region Edit551Select the region that you want to import, and press the Import button.The Import dialog box will appea

Sequencer mode552On: If you edit the “Start” or “End” address, the “End” or “Start” address will automatically be adjusted to preserve the existing le

Sequencer: Page Menu Commands Copy Song’s Tempo to Region553Copy Song’s Tempo to RegionThis command changes the tempo used by the specified regions

Sequencer mode5546. Press the OK button to execute the Time Stretch command, or press the Cancel button to cancel.Note: When you execute this command,

Sequencer: Page Menu Commands Bounce Pattern555(By default, this will be the song and pattern that was selected in the Pattern Edit page.)3. In To:

Sequencer mode556Note: If you press the SEQUENCER START/STOP switch while the dialog box is open, the selected pattern will play back.2. In Pattern an

Sequencer: Page Menu Commands Copy MFX/TFX557Copy MFX/TFXFor more information, please see “Copy MFX/TFX” on page 153.Note: the slot’s MIDI control

Sequencer mode558You can only insert events to specify the type of effect and the effect parameters. Settings for effect on/off and bus selection must

Sequencer: Page Menu Commands Put Effect Setting to Track559To: Song: 000Track: 03Measure: 009Beat.Tick: 01.0008. Press the OK button to execute th

Program P1: Basic/Vector 1–9: Set Up Pads47Pad Mode: Fixed Velocity vs. Velocity SensitiveEach pad stores a velocity level for each of its 8 notes.

Sequencer mode560System Exclusive events supported in Sequencer modeYou can record and play back System Exclusive events, and edit tracks that contain

System Exclusive events supported in Sequencer mode Put Effect Setting to Track561data. These recorded events may not be reproduced correctly if yo

Sequencer mode562

563Sampling modeSampling OverviewThe OASYS can sample external audio from the analog or S/P DIF inputs, at 48 kHz 16-bit resolution, in mono or stereo

Sampling mode564either internal or external sources. For instance, you can use compression, EQ, lo-fi, etc. You can also use tempo-based LFO or delay

Sampling Overview Sampling features565loop sample (a looped pattern of drums etc.), and divides it into separate rhythm instrument sounds. A patter

Sampling mode566infinite resolution into a digital signal with finite resolution. With 16 bit resolution, each level is indicated in 65,536 steps (the s

Sampling P0: Recording 0–1: Recording567Sampling P0: RecordingThis page is where you make basic settings for recording (sampling), including:• Crea

Sampling mode568Keyboard & PadsKeyboard: This indicates the index zone of multisample, the original key, and the root key. The red triangles indic

Sampling P0: Recording 0–1: Recording569Original Key [C-1…G9]Specifies the key that will play the sample at its original pitch (i.e., the pitch at w

Program mode: HD-148Program P2: OSC/PitchThese pages control the first and most basic elements of HD-1’s sounds: the Multisamples that the oscillators

Sampling mode570Convert” to convert the -L and -R samples to differing sampling rates, they will no longer be handled as a stereo sample.ADC OVERLOAD

Sampling P0: Recording 0–1: Recording571R-Mono: The R channel of the Source Bus will be sampled in mono.Stereo: The L and R channels of the Source

Sampling mode572• Whether sampling in stereo or in mono. If “Mode” (0–1d) is set to Stereo, the maximum “Sample Time” will be halved.• The time specif

Sampling P0: Recording 0–8: Audio Input573• 4: Sample Mono To Stereo. For more information, see “Sample Mono To Stereo (Change Sample Type)” on pag

Sampling mode574When using the S/P DIF input, make sure that the word clocks on all connected digital audio devices are configured correctly. For more

Sampling P0: Recording 0–8: Audio Input575Tip: You can use the control surface to control this parameter. (See “Using the control surface to adjust

Sampling mode576Source Bus = REC Bus 1/2Source Bus = Audio Input 1/2Source Bus = S/P DIF L/RSource Bus = Indiv. 1/2Source Direct Solo [Off, On]On (che

Sampling P0: Recording 0–8: Audio Input577Off (unchecked): The L/R (post-TFX) signals and the signals of the bus selected by Source Bus will be out

Sampling mode578You can apply effects to a sample and then resample it, or resample a performance of samples that you play.Manual: This is the normal

Sampling P0: Recording 0–9: Control Surface579• 10: MS Stereo To Mono. This will appear only if the current MS is Stereo. For more information, see

Program P2: OSC/Pitch 2–1: OSC1 Basic49KeyOff is a special setting. Instead of delaying the sound by a particular amount of time, the sound will pl

Sampling mode580Front-panel LEDs for sliders and knobsThere’s a vertical column of LEDs next to each slider, and a ring of LEDs around each knob. Simi

Sampling P0: Recording 0–9: Control Surface581Knobs 1–8, Channel StripWhen the Mixer Knobs switch is set to Channel Strip, the knobs provide quick

Sampling mode582Master Volume SliderMaster Volume [000…127]This controls the volume of the main stereo outputs, after the Total Effects. It does not a

Sampling P0: Recording 0–9: Control Surface583Play/Mute switches 1–6The top row of switches allow you to mute any or all of the audio inputs.Play/M

Sampling mode584When you select an External Setup, it stays selected even when you change Programs, or switch to Combi or Sequencer modes. This makes

Sampling P0: Recording 0–9: Control Surface585When you move a knob, it sends out the corresponding MIDI CC. Also, when the CC is received via MIDI

Sampling mode586Sampling P1: Sample EditIn this page you can edit sample data (waveform data). You can make detailed edits while watching the sample w

Sampling P1: Sample Edit 1–1: Sample Edit587If you have selected a stereo multisample or sample, the L channel and R channel of the sample data wil

Sampling mode588If the zoom ratio is low (1X or less), the “Sample waveform display” may differ slightly from the displayed waveform before and after

Sampling P2: Loop Edit 2–1: Loop Edit589Sampling P2: Loop EditIn this page you can specify the region of the sample that will play and the portion

vi 1–5: Vector Volume Control . . . . . . . . . . . . . . . . . 4531–6: Vector CC Control . . . . . . . . . . . . . . . . . . . . . 4561–7: Vector

Program mode: HD-150Multisample ROM/EXs Mono/Stereo Select menuIf Bank is set to ROM or EXs Mono, the list shows all of the mono Multisamples in the B

Sampling mode5902–1d: Sample SetupStart (Start Address) [000000000…]Specifies the starting address for sample playback (This value is in units of a sam

Sampling P2: Loop Edit 2–1: Loop Edit5912–1f: ZOOMZOOMThis allows you to zoom-in/out in horizontal and vertical directions of the “Sample waveform

Sampling mode592Sampling P3: Multisample EditIn this page you can edit multisamples. You can create, delete, copy, and paste indexes, and assign sampl

Sampling P3: Multisample Edit 3–1: Multisample Edit593Since in Sampling mode the playback unity level will normally be the maximum level, adjustmen

Sampling mode594“MS Mono To Stereo/MS Stereo To Mono (Change Multisample Type)” on page 619.• 10: MS Stereo To Mono. This will appear only if the curr

Sampling P4: EQ/Controller 4–1: EQ595Sampling P4: EQ/ControllerIn this page you can edit a mid-sweepable three-band EQ that is applied to the outpu

Sampling mode596▼ 4–1: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more information on these shortcuts

Sampling P4: EQ/Controller 4–8: Set Up Controllers597Mode [Toggle, Momentary]Specifies how on/off operation will occur when you press the SW1 switch

Sampling mode5984–9: Set Up PadsHere you can specify the note numbers (and their velocities) that will be produced by pads 1–8 in Sampling mode. You c

Sampling P4: EQ/Controller 4–9: Set Up Pads599• 10: MS Stereo To Mono. This will appear only if the current MS is Stereo. For more information, see

Program P2: OSC/Pitch 2–1: OSC1 Basic51Reverse [Off, On]This lets you play the selected multisample backwards, without looping. Reverse applies onl

Sampling mode600Sampling P5: Audio CDYou can use the internal CD-R/RW drive, or a USB-connected CD-R/RW drive, to sample directly from an audio CD. Yo

Sampling P5: Audio CD 5–1: Audio CD601Drives other than a CD-R/RW drive cannot be selected here.Track [01…]Selects the track of the audio CD that y

Sampling mode602specify the Range End. If you press the ENTER switch three or more times, the Range Start and Range End will be set to the locations o

Sampling P8: Insert Effect 8–1: Routing603Sampling P8: Insert EffectHere you can make insert effect settings for use in Sampling mode.If you want t

Sampling mode604(In the same way, the on/off settings for MFX1, 2 and TFX1, 2 will also be turned off.) Be aware of this if you want to sample once ag

Sampling P8: Insert Effect 8–5: Insert FX6058–5: Insert FXIn this page you can select the effect types for the insert effects, turn them on/off, an

Sampling mode606Pan (CC#8) (Post IFX PanCC#8)[L000…C064…R127]Specifies the panning immediately after the insert effect.You can use CC#8 to control this

Sampling P8: Insert Effect 8–6: Track View6078–6: Track View8–6a: Track ViewThis shows the oscillator output and insert effect routing.The selected

Sampling mode6088–7: IFX 1–12This page lets you edit the detailed parameters of the twelve insert effect s. Use the tabs at left to select IFX1 throug

Sampling P8: Insert Effect 8–9: Common FX LFO6098–7b: IFX2…12Here you can edit the parameters of the insert effects selected in the P8– Insert FX p

Program mode: HD-152Power, short for Equal Power, means that the two samples will each be at around 70% of their full volume in the middle of the cros

Sampling mode610▼ 8–9: Page Menu CommandsThe number before each command shows its ENTER + number-key shortcut. For more information on these shortcuts

Sampling P9: Master/Total Effect 9–1: Routing611Sampling P9: Master/Total EffectHere you can select the effect types for the master effects and tot

Sampling mode612MFX2MFX2 [000…185]MFX2 On/Off [Off, On]Return 2 [000…127]These parameters specify the effect type for master effect 2, its on/off stat

Sampling P9: Master/Total Effect 9–2: MFX16139–2: MFX19–2a: MFX1Here you can edit the parameters of the effect you choose for MFX1 in the P9– Routi

Sampling mode614The parameters for MFX2, TFX1, and TFX2 are the same as for MFX1. For more information, see “9–2: MFX1” on page 613.

Sampling: Page Menu Commands Delete Sample615Sampling: Page Menu CommandsENTER + 0-9: shortcuts for menu commandsEach page has a set of menu comman

Sampling mode616Unmapped Samples: All samples that are not mapped (used) in a multisample or drum kit will be deleted.All Samples: All samples in memo

Sampling: Page Menu Commands Sample Mono To Stereo (Change Sample Type)6171. Use “Sample Select” (0–1b) to select the copy source sample.2. Select

Sampling mode6185. To execute the Delete Multisample command, press the OK button. To cancel, press the Cancel button.Even if you also choose to delet

Sampling: Page Menu Commands MS Mono To Stereo/MS Stereo To Mono (Change Multisample Type)619The multisample will be converted into a program whose

Program P2: OSC/Pitch 2–2: OSC1 Pitch53KeyOff is a special setting. Instead of delaying the sound by a particular amount of time, the sound will pl

Sampling mode620used in programs, the multisample numbers of the programs will also be reassigned automatically. Normally you will leave this checked.

Sampling: Page Menu Commands Auto Sampling Setup621When you execute this command, the applicable parameters will be set automatically. You cannot u

Sampling mode6222) Press the OK button to execute Auto Sampling Setup (Auto Resample through IFX), or press the Cancel button if you decide not to exe

Sampling: Page Menu Commands Truncate (for Sample Edit)623Truncate (for Sample Edit)This command deletes unwanted data that lies beyond the “Start”

Sampling mode6243. The range to be edited is shown by Range “Start” and “End.”4. In “Save to No.,” specify the save destination sample number. By defa

Sampling: Page Menu Commands Paste625 For stereo samples, use “Save to No.(L)” and “(R)” to specify the save-destination of the L and R channels.5.

Sampling mode6266. To execute the Insert Zero command, press the OK button. To cancel, press the Cancel button.Normalize/Level AdjustThis command unif

Sampling: Page Menu Commands Rate Convert6275. In “Curve,” specify the way in which the volume will change.Linear: The volume will change linearly.

Sampling mode628The volume of the two samples can be changed gradually at the transition to gradually mix the samples with each other. This is called

Sampling: Page Menu Commands Time Slice629setting the start address, loop start address, and end address of the sample, use this command to delete

Program mode: HD-154Pitch Slope, pitch, and noteRibbon [–12…+12]You can use the ribbon controller for pitch-bend. This parameter sets the range of the

Sampling mode630Note: As an alternative to the “Time Slice” command, the “Time Stretch” menu command is another way to change the tempo of a rhythm lo

Sampling: Page Menu Commands Time Slice631Time Slice step 4Index [Source, xxx(001…090)/yyy(001…090)]Selects the sample index.If this is set to Sour

Sampling mode632When you use Time Slice on a rhythm loop sample, the quality of the playback in Sequencer mode will depend largely on the “cutoff” of

Sampling: Page Menu Commands Time Slice633Use New BPM to specify the BPM value of the sample you wish to create. The Ratio will automatically be ca

Sampling mode634If you exit Time Slice without using the Save button to save the samples and multisamples, be aware that the samples and multisamples

Sampling: Page Menu Commands Time Stretch635Set Beat as the number of quarter-note beats. When you change Beat, the Source BPM value will be change

Sampling mode636number will be selected. If “Overwrite” is checked, this cannot be selected.The sample number cannot be specified if “Overwrite” is che

Sampling: Page Menu Commands Time Stretch6378. Audition the results that were created by Time Stretch.The sample before being time-stretched is ass

Sampling mode638that multisample for the “2–1c: OSC1 Multisample/ Wave Sequence” or “2–5: OSC2 Basic” parameters “MS1”–“M4” (if “Type” = Multisample)

Sampling: Page Menu Commands Destination (Audio CD Ripping)639Lowering the pitch will slow down the playback speed. This can be used to match the l

Program P2: OSC/Pitch 2–2: OSC1 Pitch55• Set an initial amount of LFO modulation, using the LFO 1/2 Intensity parameters.• Use JS+Y to scale the am

Sampling mode640Cut IFX SlotFor more information, please see “Cut IFX Slot” on page 151.Clean Up IFX RoutingsFor more information, please see “Clean U

641Global modeGlobal P0: Basic SetupIn Global mode you can make settings that affect the entire instrument, such as master tuning, MIDI, and memory pr

Global mode642Key Transpose can be controlled by the MIDI universal system exclusive message Master Coarse Tuning (F0, 7F, nn, 04, 04, vv, mm, F7: nn=

Global P0: Basic Setup 0–1: Basic643When you use the OASYS’s keyboard to play the internal sounds, the Convert Position setting has no effect.0–1b:

Global mode644System Clock [Internal, Word Clock, S/P DIF]This sets the system clock, or word clock, of the OASYS.When connecting multiple digital aud

Global P0: Basic Setup 0–1: Basic645Note: ADAT OUT (if the EXB-DI is installed) channels 1–8 correspond to Indiv.1–8. If you want to output via L/R

Global mode646Auto Optimize RAM [Off, On]If RAM is specified as the data writing destination for sampling, this parameter specifies whether the sample m

Global P0: Basic Setup 0–2: Audio Input647• 0: Write Global Setting. For more information, see “Write Global Setting” on page 682.• 1: Set Program

Global mode648L/R: The input signal will be sent to the L/R bus.IFX1…12: The input signal will be sent to the IFX1–12 bus. Choose one of these setting

Global P0: Basic Setup 0–2: Audio Input649The analog audio signals from the AUDIO INPUT 1–4 jacks are converted by a AD converter from analog to di

Program mode: HD-156• 3: Swap Oscillators. For more information, see “Swap Oscillator” on page 144.2–5: OSC2 BasicThis page controls the basic setting

Global mode650Global P1: MIDI1–1: MIDIHere you can make MIDI-related settings that affect the entire OASYS. You can also transmit MIDI System Exclusiv

Global P1: MIDI 1–1: MIDI651The MIDI CC# (control change) messages are transmitted on the MIDI channel specified in the Global P1– External 1 and Ex

Global mode652RESET CONTROLS button: Local Control does not change the way that the Control Surface interacts with RESET CONTROLS. For instance, if Lo

Global P1: MIDI 1–1: MIDI653Select the Internal setting when using the OASYS by itself, or when you want the OASYS to be the master (controlling de

Global mode654Chord Notes: When you strike a pad, the (up to eight) MIDI note-on/off messages (and velocities) specified by the Pad “Pad1”–“Pad8” (1–9)

Global P1: MIDI 1–1: MIDI655For more information, see “Connecting MIDI devices & computers” on page 1001, “Synchronizing the playback of the KA

Global mode656Off (unchecked): System exclusive data will not be transmitted. Normally you will leave this unchecked.However, system exclusive data wi

Global P1: MIDI 1–2: External 16571–2b: Knobs/Switches/SlidersKnobs 1–8MIDI Channel (1–8) [1…16, Gch]This sets the MIDI Channel for the knob. Each

Global mode6581–3: External 2This page lets you set up the drum pad assignments for the Control Surface’s EXTERNAL mode. Each pad can play a note, or

Global P2: Controller/Scale 2–1: Controller659Global P2: Controller/Scale2–1: Controller2–1a: Foot Switch & Pedal/DamperFoot Switch Assign [Off

Program P2: OSC/Pitch 2–9: Pitch EG572–9a: EG ResetAMS (EG Reset AMS) [List of AMS Sources]This selects an AMS source to reset the EG to the start

Global mode660KARMA SCENE [Off, MIDI CC#00…119]This assigns a control change message to the KARMA SCENE switch.KARMA LATCH [Off, MIDI CC#00…119]This a

Global P2: Controller/Scale 2–2: User Scale6612–2a: User Octave ScaleUser Octave Scale [User Octave Scale 00…15]Selects the User Octave Scale that

Global mode662Global P3: Category NamePrograms, Combinations, and KARMA GEs are organized into categories and sub-categories. Categories make it easy

Global P3: Category Name 3–2: Combi Category663Use “Main Category Select” to select the main category that includes the sub-category name you want

Global mode664Global P4: Wave SequenceWave Sequences play back a series of different Multisamples over time. You can use this to create a variety of u

Global P4: Wave Sequence 4–1: Sequence Parameters665In Time mode, step durations are specified in milliseconds, and are not affected by the system t

Global mode666The Quantize Triggers parameter on this page affects the way that the Wave Sequence plays back during editing, but is not stored with th

Global P4: Wave Sequence 4–1: Sequence Parameters667Loop End Step [1…64]This is the step on which the loop ends. It must be after the Loop Start.Di

Global mode6684–1d: ModulationPositionAMS [List of AMS Sources]This selects a modulation source to offset the Wave Sequence from its current position.

Global P4: Wave Sequence 4–2: Per-Step Parameters6694–2: Per-Step Parameters4–2a: BasicWave Sequence [I–000…149, U–A00…U-G31]This is the bank, numb

Program mode: HD-158Classic analog synth envelopes made these curved shapes naturally. The OASYS goes a step further than vintage synths, however, and

Global mode6704–2c: Step parametersThis list shows the parameters for eight steps at a time. Use the scroll bar at the right of the screen to change w

Global P4: Wave Sequence 4–2: Per-Step Parameters671Xfade [0ms…10 sec]This determines the time it takes to fade into the next step. For example, St

Global mode672Exp/Comp (Mode = Time)This command appears only when the Mode is set to Time. It brings up a dialog box, which allows you to expand or c

Global P5: Drum Kit 5–1: Sample Setup673Global P5: Drum KitHere you can create drum kits by assigning a drum instrument (drum sample) to each key.A

Global mode674If you check “Assign” for the key you select here, the DS1–4, Voice Assign Mode, and Mixer parameters (see below) will be used.Assign [O

Global P5: Drum Kit 5–1: Sample Setup675RAM mono, RAM stereo Select menuUse the tabs to select a group of one thousand, and then choose a RAM sampl

Global mode676Linear means that the two samples will each be at 50% of their full volume in the middle of the crossfade. Sometimes, this may create a

Global P5: Drum Kit 5–2: Sample Parameters6775–2: Sample ParametersHere you can edit the filter cutoff, resonance, and three-band EQ gain for each d

Global mode678• 0: Write Drum Kit. For more information, see “Write Drum Kit” on page 689.• 1: Copy Key Setup. For more information, see “Copy Key Set

Global P5: Drum Kit 5–3: Voice Assign/Mixer679Tip: In most of the preloaded drum kits, the following types of drum instrument have the same Bus Sel

Program P2: OSC/Pitch 2–9: Pitch EG592–9d: Time ModulationThese settings let you use an AMS source to control the Time parameters of the EG. The At

Global mode680Global P6: Plug-in InfoThis page lets you manage your installed EXi, EXf, and EXs plug-ins. Here, you can:• View information on all inst

Global P6: Plug-in Info 5–3: Voice Assign/Mixer6812. Log in under your registered member name.If you aren’t already registered, follow the online i

Global mode682Global: Page Menu CommandsWrite Global SettingThis command writes Global mode settings (except for Drum Kits and Wave Sequences).1. Sele

Global: Page Menu Commands Half Damper Calibration6832. If you are unable to select this command from the page menu, go to the main Global page as

Global mode684Update System SoftwareBefore you begin updating the system, back up important data on external USB storage media.1. Insert the CD-R/RW d

Global: Page Menu Commands Dump Program685Dump ProgramThis command lets you send the internal memory’s Program data as a System Exclusive data dump

Global mode686* More time will be required if the song data contains System Exclusive events, since these must be converted.When performing a data dum

Global: Page Menu Commands Reset External Setup687Trigger KARMA generation from external device/sequencerChoose this if you want the KARMA Module t

Global mode688CC Default: The parameters will be reset to the typical settings, including the standard settings for the pads and the KARMA sliders and

Global: Page Menu Commands Write Drum Kit689Write Drum KitThis command writes an edited drum kit into internal memory.You must write an edited drum

vii4–2: Per-Step Parameters. . . . . . . . . . . . . . . . . . . . 669Global P5: Drum Kit . . . . . . . . . . . . . . . . . . . 6735–1: Sample Setup

Program mode: HD-160Program P3: FilterFiltering can make subtle or dramatic changes to the oscillator’s timbre. Each oscillator has two multimode reso

Global mode690

691Disk modeTo prevent data errors, you must be careful not to subject the OASYS to physical impact or vibration while writing data to the internal CD

Disk mode692DOS directoryUndefined DOS fileDOS fileDOS file.PCG file.SNG file.KFX file All programs All combinations All drum kits(User)All wave seque

Disk P0: File 0–1: Load693Disk P0: File0–1: LoadThis page lets you load a selected file or directory into internal memory. Use the Open button and U

Disk mode694Drive typesHDD: INTERNAL HD: Internal hard disk driveCDD: Internal CD-R/RW drive, or a USB-connected CD-ROM or CD-R/RW driveHDD: USB-conne

Disk P0: File 0–2: Save695TypeThis icon indicates the type of file.For details on how the icons correspond to the different file types, refer to the

Disk mode696The USB device will now appear in the Drive Select menu.File date and timeThe OASYS contains an internal calendar and clock. When you save

Disk P0: File 0–9: Media Information697• 1: Translation. For more information, see “Translation” on page 703.• 2: Lock/Unlock selected. For more in

Disk mode698Disk P1: Audio CD1–1: Make Audio CDHere you can use the internal CD-R/RW drive or a USB-connected CD-R/RW drive to create an audio CD.To c

Disk P1: Audio CD 1–1: Make Audio CD6991–1b: Audio CD Track ListTrack [(01…99)]Displays the track numbers of the WAVE files arranged in the audio CD

Program P3: Filter 3–1: Filter161Serial and Parallel Routing12db/oct / 24db/oct3–1b: Filter AFilter Type [Low Pass, High Pass,Band Pass, Band Rejec

Disk mode7001–2: Play Audio CDHere you can use the internal CD-R/RW drive or a USB-connected CD-R/RW drive to play an audio CD.It is convenient to use

Disk P1: Audio CD 1–2: Play Audio CD701Note: The CD-R/RW Drive Audio Input settings are linked with the Sampling mode “5–1b: CD-R/RW Drive Audio In

Disk mode7021–9: Media InformationThis screen shows information about the media in the CD-R/RW drive. Use “Drive Select” (1–9b) to select the drive/me

Disk: Page Menu Commands Hide unknown files703Disk: Page Menu CommandsHide unknown filesIf you select “Hide unknown files,” a check mark will appear

Disk mode7041. Use the “Load ****** .SNG too” and “Load ****** .KSC too” check boxes to select the .SNG file and .KSC file.If this file does not exist in

Disk: Page Menu Commands Load selected705If the power has just been turned on, or you want to reproduce the state that was saved, select Clear..KSC

Disk mode7061. In “To,” specify the loading destination bank.2. To load the data, press the OK button. To cancel without loading, press the Cancel but

Disk: Page Menu Commands Load selected707Load Wave Sequence Bank [INT, USER-A…USER-G]All wave sequence data of the selected bank will be loaded int

Disk mode708• If you check “Load ********.KSC too,” use “Select .KSC Allocation” to specify how the multisamples and samples within the .KSC file will

Disk: Page Menu Commands Load selected709Load a RegionThis loads the selected region data into the region number you select as the load-destination

Program mode: HD-162Resonance [00…99]Resonance emphasizes the frequencies around the cutoff frequency. When this is set to 0, there is no emphasis, an

Disk mode71027) Load a Preset (U)The selected effect preset data (U00–15) will be loaded into the load-destination effect preset number (P01–15, U00–U

Disk: Page Menu Commands Load selected711KMP filesFiles with a filename extension of KMP (Korg Multisample Parameter) contain the parameters which ma

Disk mode7124. If you specify * and execute loading, all of the WAVE files will be loaded as follows.PIANO.WAVSFX_A_00.WAVSFX_A_01.WAVSFX_B_00.WAVSFX_B

Disk: Page Menu Commands Load selected7131. To load the data, press the OK button. To cancel without loading, press the Cancel button.The sample wi

Disk mode714Akai S1000/S3000 Loop ConversionIn rare cases, loops from Akai samples may need to be changed when loaded into the OASYS:• Some Akai sampl

Disk: Page Menu Commands Load selected715be converted into a OASYS program, or into programs and a combination. (Multisamples will also be convert-

Disk mode7163. If you also want to load the .SNG file of the same name as the .PCG file, check the “Load ********.SNG too” check box.Note: The .KSC file

Disk: Page Menu Commands Save All (PCG, SNG and KSC)717If you decide that you don’t want to save a divided file, press the Cancel button, and save y

Disk mode718Save PCG & SEQThis command saves all internal memory programs, combinations, drum kits, wave sequences, and global settings as a .PCG

Disk: Page Menu Commands Save to Standard MIDI File719• Multisample and sample data recorded or edited• Multisample and sample data loaded in Disk

Program P3: Filter 3–2: Filter1 Modulation633–2: Filter1 ModulationThis page contains the settings for Oscillator 1’s filter modulation. Among other

Disk mode720“Save SEQ” to save the data, since this will allow a higher degree of reproducibility.Save ExclusiveAccumulates the received exclusive dat

Disk: Page Menu Commands Save Audio CD Track List721Export Samples as AIFF/WAVE2. In “Format,” select either AIFF or WAVE as the file format for exp

Disk mode7223. “Copy” will show the name of the selected file or directory.If you wish to change the file or directory that will be copied, use the text

Disk: Page Menu Commands Create Directory723Create DirectoryThis command creates a new directory within the current directory.1. Select “Create Dir

Disk mode724This conversion temporarily uses memory space on the hard disk.1. Select “Convert to ISO9660 Format” to open the dialog box.2. Press the O

Disk: Page Menu Commands Write to CD725Write to CDWhen this command is executed, the WAVE files specified in the audio CD track list will be written

Disk mode726When you execute Quick Erase, the files and data will appear to be gone, but the data itself will remain on the disc until it is overwritte

727Effect GuideOverviewThe OASYS provides 12 insert effects, two master effects, and two total effects, together with a mixer section that controls th

Effect Guide728When FREE FOR VOICES is at 100%, you can achieve the maximum polyphony–for instance, 172 voices of the HD-1, 96 voices of the AL-1, or

Overview Dynamic modulation (Dmod) and Tempo Synchronization729the P0: Recording– Audio Input page to make audio input settings for Sampling mode.

Program mode: HD-164The OASYS keyboard tracking can also be much more complex, since it allows you to create different rates of change over up to four

Effect Guide7303. Set the BPM as desired.To synchronize to the system clock, set BPM to MIDI.To set the delays to a specific tempo, separate from the s

Overview FX Control Buses731Example: Compressor (Combination)Compressor-type effects use the level of the audio input to control the level gain of

Effect Guide732Example: Rhythmic Vocoder (Combination)Vocoder effects produce their distinctive sound by using an audio signal (the modulator) to modu

Overview Effect I/O733Sampling modeAudio Input *2*1Some effects may not have these parameters.*2These settings are made separately for programs, co

Effect Guide734Insert Effects (IFX1…IFX12)In/OutInsert Effects (IFX 1–12) have a stereo input and a stereo output. If you set the Wet/Dry parameter (P

Insert Effects (IFX1…IFX12) Routing735If Bus Select is set to IFX1–12, use Send1 and Send2 (Program 8–5a) to specify the send level of the post-IFX

Effect Guide736Combination and Sequencer modesUse Bus Select (P8: “Routing” 1 and 2 page in each mode) for timbres (Combination) and tracks (Sequencer

Insert Effects (IFX1…IFX12) Routing737Example: Inserting one IFX into two or more timbresExample: Inserting a separate IFX into each timbre, and in

Effect Guide738In the diagram (Fig. 2–2b), IFX1’s Chain check box is checked and Chain to set to IFX2, sending the output of IFX1 to IFX2. Timbre 1 is

Insert Effects (IFX1…IFX12) Routing739Drum Kit IFX PatchIf “Bus Select DKit” is checked, you can select the Drum Kit IFX Patch page menu command by

Program P3: Filter 3–2: Filter1 Modulation65Low-Center [–Inf, –99…+99, +Inf]This sets the slope between the Low Break and Center keys. For normal k

Effect Guide740Sampling modeThe external input sounds from the AUDIO INPUT 1, 2, 3, 4, and S/P DIF IN jacks can be processed by the insert effects, ma

Insert Effects (IFX1…IFX12) Routing741Fig. 2–3aFig. 2–3b

Effect Guide742Audio Input, S/P DIF INIn Program, Combination, Sequencer, and Disk modes, external audio sources from the AUDIO INPUT 1, 2, 3, 4, and

Insert Effects (IFX1…IFX12) Routing743Audio CDIn Sampling mode, the sound from an audio CD in the internal CD-R/RW drive or a USB external CD drive

Effect Guide744MixerIn Program, Combination, and Sequencer modes, the P8 - Insert FX page lets you set “Pan (CC#8)” (post-IFX panning), “Bus Sel. (Bus

Insert Effects (IFX1…IFX12) Controlling the Insert Effects via MIDI745you want to use the Send1 or Send2 levels to route the signal through a maste

Effect Guide746Gch: Select this option if you wish to control the parameters on the global MIDI channel. This is a common setting.All Routed: Select t

Master Effects (MFX1, 2) In/Out747Master Effects (MFX1, 2)In/OutThe I/Os of Master Effects MFX1 and MFX2 are stereo-in/stereo-out. Send1 and Send2

Effect Guide748the Send1 (to MFX1) and Send2 (to MFX2) parameters specified independently for the oscillators (Program/Sampling mode), timbres (Combina

Master Effects (MFX1, 2) Routing749OSC1/EXi1 Send1=127 (100%) *064 (50%)=064 (50%)OSC1/EXi1 Send2=064 (50%) *127 (100%)=064 (50%)OSC2/EXi2 Send1=06

Program mode: HD-166The Filter EG’s shape can swing all the way from +99 to –99. Positive values increase the cutoff frequency, and negative values de

Effect Guide750post-IFX2, 3, and 4 signals to set the send levels of Timbres 2, 3, and 4, and use the Send1 and Send2 parameters for the post-IFX5 sig

Master Effects (MFX1, 2) Mixer751Audio CDIn Sampling mode you can apply the insert effects, master effects, and total effects to the sound of an au

Effect Guide752Chain DirectionIf you have checked the Chain box, you can set the direction of the connection here. You can also visually confirm the di

Total Effects (TFX1, 2) In/Out753Total Effects (TFX1, 2)In/OutThe total effects TFX1 and TFX2 are stereo-in and stereo-out. The Dry (unprocessed) s

Effect Guide754MixerMaster VolumeThis sets the level of the final output after passing through the total effects.Note: You can use the control surface

Outputs Main Outputs755OutputsMain OutputsThe main L/MONO and R outputs of the OASYS are output from the AUDIO OUTPUT (MAIN) L/MONO and R jacks, th

Effect Guide756Effect/Mixer Block DiagramsProgram modePan Oscillator/EXi 1Send1Select from:L/R IFX1IFX2IFX3 IFX4 IFX5IFX6IFX7IFX8IFX9IFX10IFX11IFX12IF

Effect/Mixer Block Diagrams Individual Outputs757Combination mode, Sequencer modePanTimbre/Track 1Send1Select from:L/R IFX1IFX2IFX3 IFX4 IFX5IFX6IF

Effect Guide758Sampling modePanStereo Sample LSend1IFX2 BusIFX2IFX1 BusIFX1Chain & Chain toMFX2MFX1Return1 / 2AUDIO OUTPUT(MAIN) L/Mono, RIFX4 Bus

Examples of the effect graphics Individual Outputs759Examples of the effect graphicsHere are some examples of the effects that display graphics.012

Program P3: Filter 3–3: Filter1 LFO Modulation673–3: Filter1 LFO ModulationLFO1, LFO2, and the Common LFO can all modulate Filter A and B’s cutoff

Effect Guide760Xover FiltersXover Filters is used in 004: St.Multiband Compressor, 015: Stereo Isolator, and 086: Multiband Mod. Delay.LimiterLimiter

Examples of the effect graphics Individual Outputs761002: Stereo Compressor003: Stereo ExpanderIndicates the range specified by Soft Knee Width.Oth

Effect Guide762Multiband LimiterThe Multiband Limiter is used in 006: Multiband Limiter and 007: Stereo Multiband Limiter.008: Stereo Master LimiterDy

Examples of the effect graphics Individual Outputs763GateGate is used in 009: Stereo Gate and in 140: Reverb Gate.004: St Multiband CompressorThis

Effect Guide764Dynamics000: No EffectChoose this option when you are not using the selected effects slot. This frees up processing resources for other

Dynamics 002: Stereo Compressor765002: Stereo CompressorThis is a sophisticated stereo compressor that allows you to make detailed settings, such a

Effect Guide766compressor becomes a brick-wall limiter; once the signal hits the Threshold, the output level will no longer increase, regardless of th

Dynamics 004: St.Multiband Compressor767SIDE CHAIN EQThis multimode filter applies only to the control signal, and not to the main audio path. Use i

Effect Guide768Range [dB] [–24.0…+18.0]The combination of Threshold and Range controls the band’s basic functionality (traditional compressor, low-lev

Dynamics 006: Multiband Limiter769SIDE CHAIN EQThis EQ applies only to the control signal, and not to the main audio path. Use it to alter the resp

Program mode: HD-168Intensity to A [–99…+99]This controls the depth and direction of the LFO1 AMS modulation for Filter A.For example, if AMS is set t

Effect Guide770Amount [–63…+63]Sets the modulation amount of the output gain.LOWOffset [dB] [–40…0]This adjusts the Threshold level for the low range.

Dynamics 009: Stereo Gate771LIMITERThreshold [dB] [–30.0…0.0]This affects both the limiting threshold and the output gain.Signals above the Thresho

Effect Guide772GATEThreshold [0…100]Sets the level at which gating is applied. Note that this does not apply when the ENVELOPE Source is set to Dmod.A

EQ and Filters 011: Stereo Parametric 4EQ773EQ and Filters011: Stereo Parametric 4EQThis is a stereo 4-band parametric equalizer. You can select pe

Effect Guide774012: Stereo Graphic 7EQThis is a stereo 7-band graphic equalizer. The bar graph of the gain setting for each band gives you a clear, vi

EQ and Filters 014: Stereo Exciter/Enhncr775014: Stereo Exciter/EnhncrThis effect is a combination of the Exciter, which adds a punch to the sound

Effect Guide776XOVER FILTERTrim [0…100]Sets the input level.Frequency Low-Mid [Hz] [100…500]Sets the frequency at which the low and mid bands are divi

EQ and Filters 017: St. Vintage/Custom Wah777MIDI/Tempo SyncMIDI/Tempo Sync [Check-box]On (checked): When MIDI/Tempo Sync is On, the LFO will sync

Effect Guide778CONTROLSweep Mode [Auto, Dmod, LFO]Selects the control from auto-wah, modulation source, and LFO. For more information, see “Sweep Mode

EQ and Filters 018: Stereo Random Filter779FILTERManual [0…100]Sets the filter’s center frequency, before LFO modulation.Depth [0…100]The LFO modul

Program P3: Filter 3–4: Filter1 EG693–4a: EG ResetAMS (EG Reset) [List of AMS Sources]This selects an AMS source to reset the EG to the start point

Effect Guide780Common 1 or 2: the steps use the frequency or tempo sync of the selected Common LFO, so that you can synchronize multiple LFO-based eff

EQ and Filters 020: Stereo Sub Oscillator781Amount [–20.00…+20.00]This sets the Frequency modulation amount, in Hz.MIDI/Tempo Sync [Check-box]BPM

Effect Guide782021: Talking ModulatorThis effect adds an unusual character, like a human voice, to the input signal. Modulating the tone via dynamic m

EQ and Filters 022: Stereo Decimator783022: Stereo DecimatorThis effect creates a rough sound like a cheap sampler by lowering the sampling frequen

Effect Guide784023: Stereo Analog RecordThis effect simulates the noise caused by scratches and dust on analog records. It also reproduces some of the

EQ and Filters 024: Stereo Wave Shaper785Wave Shape TablesPre LPF [0…100]Sets the damping amount in the high range.Source [Off…Tempo]Selects the s

Effect Guide786025: Piano Body/DamperThis effect simulates the resonance of the piano sound board caused by the string vibration, and also simulates t

EQ and Filters 026: Vocoder7872. Go to the Global P0: Basic Setup-Audio page.3. For the Audio Input to which you connected the mic, temporarily set

Effect Guide788Overdrive, Amp models, and Mic models027: OD/Hi-Gain WahThis versatile effect offers two different-sounding distortion modes (Overdrive

Overdrive, Amp models, and Mic models 028: OD/HyperGain Wah789OUTPUTThis is the standard effects output section, with modulatable control over wet/

viii057: 2-Voice Resonator . . . . . . . . . . . . . . . . . . . . . 811058: Doppler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Program mode: HD-170In other words, each segment’s level will change quickly at first, and then slow down as it approaches the next point. This tends t

Effect Guide790029: Stereo Guitar CabinetThis simulates the acoustical character of a guitar amp’s speaker cabinet.CABINET SIMULATORTrim [0…100]Sets t

Overdrive, Amp models, and Mic models 031: Guitar Amp Model +Cabinet791Q [0.5…10.0]Sets Band 4’s bandwidth.Gain [dB] [–18…+18]Sets the gain of Band

Effect Guide792OUTPUTThis is the standard effects output section, with modulatable control over wet/dry balance. For more information, see “OUTPUT” on

Overdrive, Amp models, and Mic models 034: Bass Amp Model +Cabinet793Amount [+/–100]Sets the modulation amount of the output level.Bass [0…100]Sets

Effect Guide794Recommended Combinations of Bass Amp Models and Cabinets035: Bass Amp TubeDrive +CabThis simulates a bass amp (with gain and drive) and

Overdrive, Amp models, and Mic models 036: Tube PreAmp Modeling795036: Tube PreAmp ModelingThis effect simulates a two-stage vacuum tube preamp. Yo

Effect Guide796MIC SIMULATORType [Vnt.Dy/55SH, Mlt.Cn/C414, Pc.Cn/C451,Whale/MD421, Vo.Dy/SM58, Mlt.Dy/SM57,Vo.Cn/U87, Vo.Tube/U47, BDr.Dy/RE20]Select

Chorus, Flanger, and Phaser 040: Stereo Chorus797Chorus, Flanger, and Phaser040: Stereo ChorusThis effect adds thickness and warmth to the sound by

Effect Guide798041: Stereo Harmonic ChorusThis effect applies chorus only to higher frequencies. This can be used to apply a chorus effect to a bass s

Chorus, Flanger, and Phaser 043: Multitap Cho/Delay 4Taps799MODULATIONL Pre Delay [msec] [0.0…50.0]Sets the delay time for the left channel. p.797.

Program P3: Filter 3–5: Filter2713–4d: Time ModulationThese settings let you use three different AMS sources to control the Time parameters of the

Effect Guide800MOD DELAYTaps 1-4There are four delay taps, each with separate settings for delay time, chorus depth, level, and pan. The chorus LFO ph

Chorus, Flanger, and Phaser 045: Bi Chorus801Source [Off…Tempo]This selects a modulation source to modulate the tap output levels (as set by Status

Effect Guide802LFO2 Amount [–20.00…+20.00]This sets the LFO2 Frequency modulation amount, in Hz.MIDI/Tempo Sync [Check-box]BPM [MIDI, 40.00…240.00]LF

Chorus, Flanger, and Phaser 047: Polysix Ensemble803047: Polysix EnsembleThis models the ensemble effect built into the classic Korg PolySix progra

Effect Guide804OUTPUTWet/Dry [–Wet…–1:99, Dry, 1: 99…Wet]Sets the balance between the “wet” processed sound and the dry input. Negative values invert

Chorus, Flanger, and Phaser 051: Stereo Phaser805Decay [1…100]Sets the EG decay time.FLANGERL Delay Bottom [msec] [0.0…50.0]Sets the lower limit of

Effect Guide806MIDI/Tempo Sync [Check-box]BPM [MIDI, 40.00…240.00]Base Note […]Times [x1…x32]When MIDI/Tempo Sync is on, the LFO speed is set by BP

Chorus, Flanger, and Phaser 053: Stereo Envelope Phaser807Amount [+/–100]Sets the modulation amount for Wet/Dry.053: Stereo Envelope PhaserThis ste

Effect Guide808Amount [+/–100]Sets the amount by which the phaser 1 LFO modulation depth will be controlled.Resonance [0…100]This controls the intensi

Modulation and Pitch Shift 055: Stereo Vibrato809Modulation and Pitch Shift055: Stereo VibratoThis effect modulates the pitch of the input signal t

Program mode: HD-1723–8: Filter2 EG This page controls Oscillator 2’s Filter EG. It is available only when the Oscillator Mode is set to Double; if no

Effect Guide810OUTPUTThis is the standard effects output section, with modulatable control over wet/dry balance. For more information, see “OUTPUT” on

Modulation and Pitch Shift 057: 2-Voice Resonator811057: 2-Voice ResonatorThis effect resonates the input signal at a specified pitch. You can set t

Effect Guide812058: DopplerThis effect simulates the “Doppler effect” of a moving sound with a changing pitch, like the siren of a passing ambulance.

Modulation and Pitch Shift 059: Scratch813059: ScratchThis effect is applied by recording the input signal and moving the modulation source. It sim

Effect Guide814GRAIN SHIFTERDuration [0…100]Duration sets the length of the sampled grain, and the LFO Sample Cycle controls how often a new grain is

Modulation and Pitch Shift 062: Stereo Envelope Tremolo815Frequency [Hz] [0.02…20.00]This sets the LFO speed, in Hz. It applies only when MIDI/Tem

Effect Guide816OUTPUTThis is the standard effects output section, with modulatable control over wet/dry balance. For more information, see “OUTPUT” on

Modulation and Pitch Shift 064: Stereo Phaser+Tremolo817064: Stereo Phaser+TremoloThis effect combines a stereo phaser and tremolo, with linked LFO

Effect Guide818065: Stereo Ring ModulatorThis effect creates a metallic sound by applying the oscillators to the input signal. Use the LFO or Dynamic

Modulation and Pitch Shift 066: Stereo Frequency Shifter819066: Stereo Frequency ShifterThis is a stereo effect that shifts the frequency of the in

Program P4: Amp/EQ 4–1: Amp1/Driver173Program P4: Amp/EQOscillators 1 and 2 have separate controls for volume (also called “amplitude,” or “amp” fo

Effect Guide820067: DetuneThis effect offsets the pitch slightly from the input signal. Compared to a chorus, this can be used to create a more subtle

Modulation and Pitch Shift 069: Stereo Pitch Shifter821High Damp [%] [0…100]Sets the damping amount in the high range.OUTPUTThis is the standard ef

Effect Guide822OUTPUTThis is the standard effects output section, with modulatable control over wet/dry balance. For more information, see “OUTPUT” on

Modulation and Pitch Shift 072: Pitch Shift Mod.823INPUTInput Level Dmod [%] [+/–100]Sets the modulation amount of the input level. p.820.Source [

Effect Guide824Source [Off…Tempo]Selects the modulation source of the depth of modulation.Amount [+/–100]Sets the modulation amount of the depth of mo

Modulation and Pitch Shift 074: Rotary Speaker825Amount [+/–100]Sets the modulation amount for controlling the mix level of the direct sound.Depth

Effect Guide826Horn/Rotor Balance [Rotor, 1…99, Horn]Sets the level balance between the high-frequency horn and low-frequency rotor. p.825.MICThese se

Modulation and Pitch Shift 076: Rotary Speaker Pro CX827MICThese settings model a pair of stereo microphones recording the rotary speaker. They are

Effect Guide828Stop Deceleration [0…100]This sets how long it takes the horn to come to rest after the Mode Switch has changed from Rotate to Stop.ROT

Delay 077: L/C/R Delay829Delay077: L/C/R DelayThis multitap delay outputs three Tap signals to the left, right, and center respectively. You can al

Program mode: HD-174Low Boost [00…99]This low-frequency EQ controls the body character of the sound. The specific EQ frequencies affected will change w

Effect Guide830R Delay Time [msec] [0…5460]Sets the delay time of the Right Delay.Level [0…50]Sets the output level of the Right Delay.Feedback (C Del

Delay 080: Stereo/Cross Long Delay831080: Stereo/Cross Long DelayThis is a stereo delay, and can by used as a cross-feedback delay effect in which

Effect Guide832Tap2 Time [msec] [0.0…1360.0]Sets the Tap2 delay time.Feedback (Tap2) [+/–100]Sets the Tap2 feedback amount.Source [Off…Tempo]Selects

Delay 083: Stereo Dynamic Delay833MOD DELAYL Delay Time [msec] [0.0…1000.0]Sets the delay time for the left channel.R Delay Time [msec] [0.0…1000.0

Effect Guide834When Polarity is positive, the “Target” value is obtained by multiplying the parameter value by the “Offset” value (if the input level

Delay 085: Tape Echo835085: Tape EchoThis effect simulates a tape echo unit with three playback heads. The distortion and tonal change typical of m

Effect Guide836086: Multiband Mod. DelayThis effect divides the input signal into low, mid, and high-frequency bands, and applies a modulation delay t

Delay 087: Reverse Delay837BAND4 LFOBand 4’s LFO has the same parameters as the “BAND1 LFO,” above.OUTPUTThis is the standard effects output sectio

Effect Guide838If you set Sync Source to Gate1, this will be reset at each note-on, meaning that you will always hear the reverse playback of the soun

Delay 089: Auto Reverse839The effect is off when a value for the modulation source specified for the Reset Source parameter is 63 or smaller, and th

Program P4: Amp/EQ 4–2: Amp1 Modulation754–2: Amp1 ModulationThis page contains the settings for Oscillator 1’s Amp level modulation. Among other t

Effect Guide840Reverse Time [msec] [20…2640]This specifies the maximum time of the reverse playback. For short, single-note slapback effects, set the R

Delay 091: L/C/R BPM Delay841091: L/C/R BPM DelayThe L/C/R delay enables you to match the delay time with the song tempo. You can also synchronize

Effect Guide842092: L/C/R BPM Long DelayThe L/C/R delay enables you to match the delay time with the song tempo. You can set the delay time up to 5,46

Delay 094: Stereo BPM Long Delay843INPUTInput Level Dmod [%] [+/–100]Sets the modulation amount of the input level. p.820.Source [Off…Tempo]Select

Effect Guide844Adjust [%] [–2.50…+2.50]Fine-adjust the left channel delay time.R Delay Base Note […]Selects the type of notes to specify the right

Delay 096: Stereo BPM Mod. Delay845Source [Off…Tempo]Selects the modulation source of the effect sound’s stereo image width.Amount [+/–100]Sets the

Effect Guide846Times [x1…x32]Sets the number of notes to specify the right channel delay time. p.822.L Depth [0…200]Sets the depth of the left LFO mod

Delay 098: Tape BPM Echo847Source [Off…Tempo]Selects the modulation source for the panning width.Amount [+/–100]Set the modulation amount of the pa

Effect Guide848Source [Off…Tempo]Selects the modulation source for the Feedback Level.Amount [+/–100]Sets the modulation amount for the Feedback Level

Reverb and Early Reflections 100: Overb849Reverb and Early Reflections100: OverbThe O-Verb features a high-quality, diffusion-based reverb core. In

Program mode: HD-1763. While holding ENTER, play a note on the keyboard.RampPositive ramp values mean that the keyboard tracking output increases as y

Effect Guide850In real acoustic spaces, high frequencies generally delay somewhat faster than low frequencies, so moderate amounts of damping will cre

Reverb and Early Reflections 105: Reverb Room851Pre Delay Thru [%] [0…100]Sets the mix ratio of non-delay sound. p.851.OUTPUTThis is the standard e

Effect Guide852107: Early ReflectionsThis effect is only the early reflection part of a reverberation sound, and adds presence to the sound. You can sel

Reverb and Early Reflections 108: Early Reflections Hi Dens853Type [Sharp, Loose, Modulated, Reverse]Selects the decay curve for the early reflectio

Effect Guide854Mono-Mono Serial109: P4EQ - ExciterThis effect combines a mono four-band parametric equalizer and an exciter.PARAMETRIC EQTrim [0…100]S

Mono-Mono Serial 111: P4EQ - Chorus/Flanger855Gain [dB] [–18…+18]Sets the gain of Band 2.Band3 Fc [Hz] [300…10.00k]Sets the center frequency of Ban

Effect Guide856CHORUS/FLANGERLFOWaveform [Triangle, Sine]Selects the LFO Waveform.Frequency [Hz] [0.02…20.00]Sets the LFO speed.FLANGERDelay Time [mse

Mono-Mono Serial 113: P4EQ - Multitap Delay857Resonance [+/–100]Sets the resonance amount. p.805.Output Mode [Normal, Wet Invert]Selects whether th

Effect Guide858114: Comp - WahThis effect combines a mono compressor and a wah. You can change the order of the connection.RoutingRouting [Comp › Wah,

Mono-Mono Serial 116: Comp - OD/HiGain859COMPRESSORPre EQTrim [0…100]Sets the EQ input level.LEQ Gain [dB] [–15…+15]Sets the gain of the Low EQ.HEQ

Program P4: Amp/EQ 4–2: Amp1 Modulation77Amp Keytrack is also an AMS sourceYou can use the keyboard tracking as an AMS source to modulate other par

Effect Guide860Gain [dB] [–18…+18]Sets the gain of Mid/High EQ 2.OUTPUTThis is the standard effects output section, with modulatable control over wet/

Mono-Mono Serial 119: Comp - Phaser861LEQ Gain [dB] [–15…+15]Sets the gain of the Low EQ.HEQ Gain [dB] [–15…+15]Sets the gain of the High EQ.COMPRE

Effect Guide862Resonance [+/–100]Sets the resonance amount. p.805.Wet/Dry [Dry, 1:99…99:1, Wet]Sets the phaser effect balance. p.780, p.805.Source [O

Mono-Mono Serial 121: Limiter - P4EQ863121: Limiter - P4EQThis effect combines a mono limiter and a four-band parametric equalizer. You can change

Effect Guide864Attack [1…100]Sets the attack time. p.766.Release [1…100]Sets the release time. p.766.Gain Adjust [dB] [–Inf, –38…+24]Sets the limiter

Mono-Mono Serial 124: Limiter - Multitap Delay865Resonance [+/–100]Sets the resonance amount. p.805.Output Mode [Normal, Wet Invert]Selects whether

Effect Guide866RoutingRouting [Exciter ➝ Comp, Comp ➝ Exciter]Switches the order of the exciter and compressor.EXCITERPre EQTrim [0…100]Sets the EQ in

Mono-Mono Serial 127: Exciter - Chorus/Flanger867127: Exciter - Chorus/FlangerThis effect combines a mono limiter and a chorus/flanger.EXCITERPre EQ

Effect Guide868PHASERLFOWaveform [Triangle, Sine]Selects the LFO Waveform.Frequency [Hz] [0.02…20.00]Sets the LFO speed.PHASERManual [0…100]Sets the f

Mono-Mono Serial 130: OD/Hi Gain - Amp Sim869130: OD/Hi Gain - Amp SimThis effect combines a mono overdrive/high-gain distortion and an amp simulat

Program mode: HD-1784–3: Amp1 EG These parameters let you create time-varying changes in the volume of oscillator 1.4–3a: EG ResetAMS (EG Reset) [List

Effect Guide870Drive [1…100]Sets the degree of distortion.Output Level [0…50]Sets the overdrive output level.Source [Off…Tempo]Selects the modulation

Mono-Mono Serial 133: OD/Hi Gain - Multitap Dly871Drive [1…100]Sets the degree of distortion.Output Level [0…50]Sets the overdrive output level.So

Effect Guide872EQLow Fc [Hz] [20…1.00k]Sets the center frequency for Low EQ (shelving type).Gain [dB] [–18…+18]Sets the gain of the Low EQ.Mid1 Fc [Hz

Mono-Mono Serial 135: Decimator - Amp Sim873Amount [+/–100]Sets the Wet/Dry modulation amount for the wah.AMP SIMAmplifier Type [SS, EL84, 6L6]Selec

Effect Guide874Output Level [0…100]Sets the compressor output level. p.764.OUTPUTThis is the standard effects output section, with modulatable control

Mono-Mono Serial 139: Phaser - Chorus/Flanger875Tap2 Time [msec] [0.0…1360.0]Sets the Tap2 delay time.Tap1 Level [0…100]Sets the Tap1 output level.

Effect Guide876140: Reverb - GateThis effect combines a mono reverb and a gate.REVERBPre EQTrim [0…100]Sets the EQ input level.LEQ Fc [Low, Mid-Low]Se

Mono/Mono Parallel 140: Reverb - Gate877Mono/Mono Parallel141: P4EQ // P4EQ through 185: Mt.BPM Dly//Mt.BPM Dly are parallel effects, with the left

Effect Guide878OUTPUTPan [L000…C064…R127]Sets the stereo image.Wet/Dry [Dry, 1:99…99:1, Wet]Sets the balance between the effect and the dry input.Sou

Mono/Mono Parallel 140: Reverb - Gate879WAHFrequency Bottom [0…100]Sets the lower limit of the wah center frequency. p.777.Frequency Top [0…100]Set

Program P4: Amp/EQ 4–3: Amp1 EG79TimeHigher values mean longer times, as shown below.Attack [00…99]This sets how long the EG takes to move from the

Effect Guide880Tap2 Base Note […]Selects the type of notes to specify the delay time for Tap2. p.822.Times [x1…x32]Sets the number of notes to spec

Mono/Mono Parallel 144: P4EQ // Exciter881144: P4EQ // ExciterThis effect connects a four-band EQ and an exciter in parallel. The pan and effect ba

Effect Guide882148: P4EQ // PhaserThis effect connects a four-band EQ and a phaser in parallel. The pan and effect balance can be adjusted independent

Mono/Mono Parallel 152: Comp // Exciter883152: Comp // ExciterThis effect connects a compressor and an exciter in parallel. The pan and effect bala

Effect Guide884156: Comp // PhaserThis effect connects a compressor and a phaser in parallel. The pan and effect balance can be adjusted independently

Mono/Mono Parallel 160: Limiter // OD/Hi Gain885160: Limiter // OD/Hi GainThis effect connects a limiter and an overdrive in parallel. The pan and

Effect Guide886164: Limiter // Mtap BPM DlyThis effect connects a limiter and a multitap BPM delay in parallel. The pan and effect balance can be adju

Mono/Mono Parallel 168: Exciter // Chorus/Flanger887168: Exciter // Chorus/FlangerThis effect connects an exciter and a chorus/flanger in parallel.

Effect Guide888172: OD/Hi Gain // WahThis effect connects an overdrive and a wah in parallel. The pan and effect balance can be adjusted independently

Mono/Mono Parallel 176: Wah // Wah889176: Wah // WahThis effect connects two wahs in parallel. The pan and effect balance can be adjusted independe

ix172: OD/Hi Gain // Wah. . . . . . . . . . . . . . . . . . . 888173: OD/Hi Gain // Cho/Flanger . . . . . . . . . . . 888174: OD/Hi Gain // Phaser .

Program mode: HD-180Once an EG segment begins, it can’t be modulatedOnce the EG has started a segment between two points, that segment can no longer b

Effect Guide890180: Cho/Flange // Cho/FlangerThis effect connects two chorus/flangers in parallel. The pan and effect balance can be adjusted independe

Mono/Mono Parallel 183: Phaser // Phaser891183: Phaser // PhaserThis effect connects two phasers in parallel. The pan and effect balance can be adj

Effect Guide892

893KARMA GE guideAbout the KARMA GE guideThis section of the manual explains the GE parameters of the KARMA function built into the OASYS, organized a

KARMA GE guide894Display example000…125: CC#000…CC#125PB: Pitch BendEnv: parameter name [Env] #No. #No. #No.Parameters of the Env (Envelope) Group als

About KARMA Overview895About KARMAOverviewKARMA stands for Kay Algorithmic Realtime Music Architecture, named after its inventor, Stephen Kay.The K

KARMA GE guide896KARMA Architecture (Diagram)KARMA REALTIME CONTROLSGENote SeriesPhaseRhythmDurationIndexClusterVelocityCCs/PitchEnvelopeRe

GE (Generated Effect) Group Overview897GE (Generated Effect) GroupOverviewThe phrases and patterns produced by a KARMA module are generated by a GE

KARMA GE guide898which of up to ten notes you may have played are to be generated. If a step of the Cluster Pattern has rows 0, 2 and 4 selected, then

GE (Generated Effect) Group GE Global Parameters899because it can simplify a dense GE in an interesting sounding way. For example, you can turn a c

Program P4: Amp/EQ 4–6: Amp2 Mod.814–6: Amp2 Mod.This page controls Oscillator 2’s amp modulation. It is available only when the Oscillator Mode is

KARMA GE guide900Note Series GroupOverviewThe Note Series Group controls the creation of a “Note Series” in memory, which is the foundation of a large

Note Series Group Parameters9013: ChromaticThe 12 steps of a chromatic scale will be used as input source material. The first note of the Note Serie

KARMA GE guide902Changes or cycling. Doubled notes caused by the use of the “Double” parameter in the Index Group will also be wrapped around at the t

Note Series Group Parameters903key of E. In the above example, playing a C would result in a E diatonic scale, playing a D results in an F# minor s

KARMA GE guide904Phase GroupOverviewA Generated Effect has two different “Phases.” Each of them is a separate collection of certain parameters includi

Phase Group General Parameters905in the middle of the Note Series from which the indexes can be chosen in either direction according to the Index P

KARMA GE guide906Phase Change occurs. This can be used to simulate the Triton Arpeggiator setting “Arpeggio Type”: Up&Down.4: B-cycle back from be

Phase Group End Loop Parameters907number of events is then performed in each Phase, regardless of any other circumstances which might trigger a Pha

KARMA GE guide908Template Steps 13…16Same as above, except for steps 13–16.Note that if the number of steps in the Phase Pattern (Pattern Items) is le

Rhythm Group Overview909Rhythm GroupOverviewThe Rhythm Group controls the rhythmic characteristics of the Generated Effect. It can also have an infl

Program mode: HD-182High Gain [–18.0…+18.0dB]This controls the gain of the 10kHz High Shelf EQ, in increments of 0.5dB.▼ 4–9: Page Menu CommandsThe nu

KARMA GE guide910Swing Use Multiplier [0…3]The “Rhythm Multiplier” (explained later on in this chapter) causes the values in the Rhythm Pattern to be

Rhythm Group Random Weighting Parameters - Pools911Random Weighting Parameters - PoolsThe Random Weighting Parameters - Pools are made available wh

KARMA GE guide912value is +99, the choices are “locked” to no ties whatsoever; when the value is -99, the choices are “locked” to ties always (and the

Rhythm Group Associated Parameters913Template + Restore [0: [As Stored]…63]Similar to the above setting; however, the internal settings of the GE c

KARMA GE guide914Duration GroupOverviewThe Duration Group contains the parameters that control the duration of the notes in a Generated Effect.About D

Duration Group Associated Parameters915notes, any step in the Duration Pattern (as modified by the Duration Value) that is shorter than a quarter no

KARMA GE guide916Random Weighting Parameters - PoolsThe Random Weighting Parameters - Pools are made available when at least one step (column) in the

Index Group Overview917Index GroupOverviewThe Index Group controls the order of the pitches as they are generated from the Note Series, and some ot

KARMA GE guide9182: Random Walk (“Random Walk Max Step”: 1…9)Makes available the “Random Walk Max Step” parameter.Causes the pitches to meander from t

Index Group Associated Parameters919voicings, or randomizing Drum Patterns in a manner different than above. Another effect of this is that after e

Program P5: LFO 5–1: OSC1 LFO183Program P5: LFOEach of the Oscillators has two LFOs, which you can use to modulate the filter, amp, pitch, and many

KARMA GE guide920An Index Pattern Template consists of:• the configuration of the Index Pattern Grid• Random Weighting ParametersTemplate [1…63]☞p.912

Cluster Group Overview921Cluster GroupOverviewThe Cluster Group contains the parameters that control the “clustering” characteristics of the Genera

KARMA GE guide922Random Weighting ParametersThe Random Weighting Parameters are made available when at least one step (column) in the Cluster Pattern

Velocity Group Overview923Velocity GroupOverviewThe Velocity Group controls most of the aspects that affect the velocities of the notes in the Gene

KARMA GE guide9241/64, an input velocity of 64 would enter KARMA as 32 (velocities in the range 1–127 are scaled into the range 1–64, or 50% softer).N

Velocity Group Associated Parameters925indicated by the pattern, with a net advance of six steps. This means that each note in a cluster or each no

KARMA GE guide926CCs/Pitch GroupOverviewThe CCs/Pitch Group allows the editing of parameters that control generation of CC (Control Change) messages.

CCs/Pitch Group Random Weighting Parameters927Not available in Phase 2 when Pitch Offsets are being used.CC Mode [0…5]Not available in Phase 2 when

KARMA GE guide928Octaves-Random Factor [–99…+99]Controls the shape of the weighting curve being applied to the bottom part of the CC Pattern Grid (Oct

CCs/Pitch Group Associated Parameters929Pitch Offset Patterns and ensuring that the results stay in a certain key or chord. The note tables used to

Program mode: HD-184Random2 (S/H) randomizes both the levels and the timing.Random3 (S/H) generates a pulse wave with random timing. It’s the opposite

KARMA GE guide930WaveSeq GroupOverviewThe WaveSeq Group controls a set of parameters that allow the waveforms of the OASYS’s programs to be varied in

WaveSeq Group Pattern Grid & Associated Parameters9311: Osc2 In Both PhasesThe specified waveforms will be selected according to the switching o

KARMA GE guide932Waveform Type [0, 1]Specifies whether the messages sent will change the program's oscillator(s) to different Multisamples, or dif

WaveSeq Group Associated Parameters933Template + Restore [0: [As Stored]…63]For more information, see “Rhythm Group” on page 909, and “Template + R

KARMA GE guide934Envelope GroupOverviewEach Generated Effect has 3 envelopes which can be applied to various options such as Velocity, Tempo, Pitch Be

Envelope Group Parameters935velocities of the notes being generated, to impart an overall velocity shape while maintaining the accents within the i

KARMA GE guide936Decay Time [0…99]The time it will take to reach the “Sustain Lev (Sustain Level)” from the Attack Level. This is a portion of the ove

Envelope Group Level Combinations937Tempo Relative [0, 1]When 1: On, makes the selected envelope’s time scale relative to tempo. This means that th

KARMA GE guide938Dec/Rel Time (Decay/Release Time) [0…99]Controls an Envelope’s Decay and Release Times at the same time - both will be set to the sam

Repeat (Melodic Repeat) Group Overview939Repeat (Melodic Repeat) GroupOverviewMelodic Repeat allows any note to be repeated in a delay-like fashion

Program P5: LFO 5–1: OSC1 LFO185Offset [–99…+99]By default, almost all of the LFO waveforms are centered around 0, and then swing all the way from

KARMA GE guide940Dotted Rhythms [0…8]Selects a value for the “Rhythm Value” parameter from a subset of the entire range. The subset consists of the do

Repeat (Melodic Repeat) Group General Parameters941algorithms to shift the notes to musically correct ones, even in pending repeated notes that hav

KARMA GE guide942Range ParametersThese parameters affect the pitch range of the repeating notes as they transpose, and what happens when they go outsi

Repeat (Melodic Repeat) Group GE Mode = Real-Time Parameters943GE Mode = Real-Time ParametersIf the “GE Type” is 3: Real-Time, these additional par

KARMA GE guide944“Chord Quantize (RT)” setting of 0: Off. This may or may not be desirable; sometimes you may want it, other times you may not. When “

Bend Group Overview945Bend GroupOverviewThe Bend Group allows various shapes of automatic pitch bending to be applied to individual notes as they a

KARMA GE guide94613, 14, 15, 17 & 18 not available when “GE Type” (“GE Type” on page 897) is 3: Real-Time.Force Bend If Zero [0, 1]When using next

Bend Group GE Mode = Real-Time Parameters947the length and twice as fast as an 8th note duration. If the duration is varied in real-time, the lengt

KARMA GE guide9480: Bend, it would be the same as starting a note with the Joystick all the way in the pitch down position, and then moving it to the

Drum Group Overview949Drum GroupOverviewThe Drum Group allows up to three different Drum or Melodic Patterns (of equal or different lengths) to be

Program mode: HD-1865–1c: Frequency MIDI/Tempo SyncMIDI/Tempo Sync [Off, On]On (checked): When MIDI/Tempo Sync is On, the LFO will synchronize to the

KARMA GE guide950Also shown above is a 65th column, known as the “Always Column” and indicated by the abbreviation “a” underneath it. When a row is se

Drum Group Random Weighting Parameters– Pools951Pattern Vel. Offset [–127…+127]Subtracts or adds a constant amount to the velocities for each Drum

KARMA GE guide952The following table summarizes the effect of the various Weighting Curves and the Factor field on Drum Sound choices:Random Weighting

Drum Group Associated Parameters953Keyboard Track [0, 1]Allows the Drum Pattern to track the input notes if desired, thereby changing keys dependin

KARMA GE guide954Time Controls Editor) to control all three Patterns at the same time. The values 0~8 select one of 9 different combinations, shown in

Drum Group Associated Parameters955Template ParametersThe two Template Parameters select from one of three banks of Drum Pattern Templates within t

KARMA GE guide956Direct Index GroupOverviewDirect Index means to take a controller and map it into the Note Series directly, so that notes can be dire

Direct Index Group Duration Parameters957Held Note Trig Mode [0…3]Selects one of several options for deciding what happens when Direct Index notes

KARMA GE guide9580: Poly ExtendEach note will sustain until the next generation of the same note, or until that note is no longer a part of the Note S

Direct Index Group Bend Parameters95914: Next Index+1Bends each note to the index in the Note Series that is 2 indexes forward (note that this may

Program P5: LFO 5–9: Common LFO875–9: Common LFO This is a single, free-running LFO, global for all voices in the Program–like the modulation LFOs

KARMA GE guide960AppendicesUsing Auto-BendAuto-Bend refers to a feature of KARMA that can generate a bend along with every generated note. It can be u

Appendices Random Weighting Curves961“GE Type” 3: Real-TimeSince the duration of the note is determined by actually playing the keyboard, Bend Grou

KARMA GE guide962Exponential S (Exp-S)With a positive Factor (+), choices will be exponentially weighted towards the center values in the pool, and aw

Appendices Random Weighting Curves963Comparison of Exponential and Logarithmic CurvesExponential Curves and Logarithmic Curves have similar shapes.

KARMA GE guide964With a Positive Factor (+40):Exponential Curve (Exp)75% chance of a choice from the upper 10% of the pool;25% chance of a choice from

965AppendicesAlternate Modulation Sources (AMS)Alternate Modulation OverviewAlternate Modulation lets you use controllers, envelopes, LFOs, etc. to mo

Appendices966Filter1 AAmp 1Cutoff Mod 1Cutoff Mod 2Cutoff Mod 1Cutoff Mod 2Pan Mod LFO1LFO2Resonance ModFrequency Mod 2Frequency Mod 1Frequency Mod

Alternate Modulation Sources (AMS) AMS (Alternate Modulation Source) List967AMS (Alternate Modulation Source) ListPhysical and MIDI controllersOffT

Appendices968Knob Mod.8 (CC#21)This AMS source always responds to MIDI CC#21, and will usually also correspond to Knob 8(USER 4). For more information

Alternate Modulation Sources (AMS) AMS (Alternate Modulation Source) List969TempoThis lets you use the system tempo as a modulation source. 120 is

Program mode: HD-188Stop [Off, On]On (checked): When Stop is On, the LFO does not advance, and the Frequency parameters are ignored. Instead, the LFO

Appendices970Step SequencerThis is the output of the per-voice Step Sequencer. For more information, see “8–1: Step Sequencer” on page 203.EG1 (Filter

Alternate Modulation Sources (AMS) Alternate Modulation settings971LFO1 …2These are the outputs of the two assignable LFOs. For more information, s

Appendices972Notes for the table*1 EXT(+–): JS X, Ribbon (CC#16), KnobMod.5 (CC#17), KnobMod.6 (CC#19), KnobMod.7 (CC#20), KnobMod.8 (CC#21)*2 When Te

Alternate Modulation Sources (AMS) Alternate Modulation settings973• You can select Common LFO, LFO1 or 2 as the AMS, and use the LFO to control th

Appendices974Pan (Program 4–1c)The oscillator pan can be controlled by the wave sequence’s AMS Out, EG, LFO, keyboard tracking, controllers, or tempo

Alternate Modulation Sources (AMS) Alternate Modulation settings975• By setting AMS to Gate 1, you can make the Common LFO reset when a note is pla

Appendices976Dynamic Modulation Sources (Dmod)You can control certain effect parameters using the joystick, vector joystick, ribbon controller, etc. “

Dynamic Modulation Sources (Dmod) Dynamic Modulation Source List977Gate1, Gate1+DamperThe effect is at maximum during note-on, and will stop when a

Appendices978TempoThe resulting modulation will be zero at 120 BPM, the maximum positive value at 240 BPM, and the maximum negative value at 60 BPM.Ma

Controller Assignments SW1/2 Assignments979Controller AssignmentsSW1/2 AssignmentsSwitch assignments are saved separately with each Program, Combin

Program P6: AMS Mixer/Common Key Track 6–1: OSC 1 AMS Mixer89Program P6: AMS Mixer/Common Key TrackEach Oscillator has two AMS Mixers, which are si

Appendices980Chord SWThis enables and disables Chord mode. For more information, see “Using Chord mode” on page 49 of the Operation Guide.Realtime Kno

Controller Assignments Foot Switch Assignments981F/A Release (CC#72)This scales the release times of the Filter and Amp EGs. Pitch LFO1 Spd (CC#76)

Appendices982Program DownThis decrements the current Program or Combination number, for hands-free patch changes. For more information, see “Program U

Controller Assignments Foot Pedal Assignments983Foot Pedal (CC#04)You can use this general-purpose controller as an AMS or Dmod source. Note that y

Appendices984Dynamic MIDI Sources & DestinationsDynamic MIDI SourcesThe sources (Dynamic MIDI Sources) are organized into the following groupsJS +

Dynamic MIDI Sources & Destinations Dynamic MIDI Sources985Note: If you want to use the ±X axis of the vector joystick as a source, set the Glo

Appendices986Use “Input” to specify the applicable KARMA module.White NoteUse Bottom and Top (7–7b) to specify the range of note numbers. Only the wh

Dynamic MIDI Sources & Destinations Dynamic MIDI Destinations987etc. to turn latch on so that the currently-operating Envelope1, 2, or 3 will c

Appendices988Dynamic MIDI 1 Source (7–7b): KARMA On/OffDynamic MIDI 1 Bottom (7–7b): 000Dynamic MIDI 1 Top (7–7b): 127Dynamic MIDI 1 Action (7–7b): M

Dynamic MIDI Sources & Destinations Dynamic MIDI Destinations989Note input in the key zone specified for each module will not be used for normal