Íàæìèòå íà ïåðåêëþ÷àòåëü [ACC], ÷òîáû åãî ñâåòîäèîä çàãî-
ðåëñÿ.
2. Ïåðåéäèòå ê ñòðàíèöå “Rec 3/3”
Ñ ïîìîùüþ ïåðåêëþ÷àòåëÿ [PAGE
"
] ïåðåéäèòå ê ñòðàíèöå
“Rec 3/3”.
3. Íàæìèòå íà êíîïêó “Step Rec”
Ðàñêðîåòñÿ îêíî “Step Rec”.
Äëÿ ââîäà àêêîðäà ñòèëÿ óñòàíîâèòå ýëåìåíò “Track” â çíà÷åíèå
“Chord”, óïðàâëÿþùèõ ñîáûòèé — â çíà÷åíèå “Ctrl”.
Ýëåìåíòû “Start Measure” è “End Measure” îïðåäåëÿþò ñîîòâåò-
ñòâåííî íà÷àëüíûé è êîíå÷íûé òàêòû îáëàñòè çàïèñè.
Åñëè òðåê ðàíåå íå çàïèñûâàëñÿ, òî â êà÷åñòâå
“End Measure” ìîæíî âûáðàòü ëþáîå äîñòóïíîå
çíà÷åíèå. Äëÿ òðåêà, ñîäåðæàùåãî äàííûå, ýëå-
ìåíò “End Measure” àâòîìàòè÷åñêè íàñòðàèâàåòñÿ
íà ïîñëåäíèé òàêò òðåêà.
4. Íàæìèòå íà êíîïêó “Start”
Ðàñêðîåòñÿ îêíî óïðàâëåíèÿ ïîøàãîâûì ðåæèìîì çàïèñè.
Äëÿ îêîí÷àíèÿ ïîøàãîâîé çàïèñè
Íàæìèòå íà ïåðåêëþ÷àòåëü [EXIT]. Çàãðóçèòñÿ ñòðàíèöà “Rec 3/3”.
* Ïðîöåäóðà ïîøàãîâîé çàïèñè
“Chord”: ââîä àêêîðäîâ
1. Ýëåìåíò “Òàêò”: îïðåäåëÿåò òàêò, â êîòîðûé áóäåò ââîäèòü-
ñÿ àêêîðä.
2. Ýëåìåíò “Ïîëîæåíèå”: îïðåäåëÿåò ïîëîæåíèå ââîäèìîãî
àêêîðäà âíóòðè òàêòà â ôîðìàòå “äîëÿ: òèê”. Äîëÿ èçìåðÿåò-
ñÿ â ÷åòâåðòíûõ íîòàõ, à òèê ðàâåí 1/96 äëèòåëüíîñòè ÷åò-
âåðòíîé íîòû. Çíà÷åíèå “1:00” ñîîòâåòñòâóåò íà÷àëó òàêòà.
Íàïðèìåð, äëÿ ââîäà àêêîðäà íà âòîðóþ ÷åòâåðòü òàêòà íå-
îáõîäèìî ââåñòè çíà÷åíèå “2:00”, òðåòüþ — çíà÷åíèå
“3:00”, ñ÷åòó “ðàç-è” ñîîòâåòñòâóåò çíà÷åíèå “1:48” (âîñüìàÿ
íîòà ðàâíà 48 òèêàì).
3. Òîíèêà àêêîðäà
4. Áàñîâàÿ íîòà àêêîðäà
5. Òèï àêêîðäà: åñëè âûáðàòü çíà÷åíèå “No Chord”, òî â äàí-
íîì ìåñòå áóäóò âîñïðîèçâîäèòüñÿ òîëüêî òðåêè óäàðíûõ
(Drum) è ïåðêóññèè (Perc).
6. Íåóñòîé÷èâûå ñòóïåíè
7. Êíîïêè “
#
/
$
”: ïåðåìåùåíèå ïî ñîáûòèÿì ñìåíû ãàð-
ìîíèè.
8. Êíîïêà “Delete”: âûáðàííûé àêêîðä óäàëÿåòñÿ.
9. Êíîïêà “Put”: âñòàâêà àêêîðäà â âûáðàííûå òàêò è ïîçèöèþ.
10. Ýëåìåíò “Ðàçìåðíîñòü”: îïðåäåëÿåò ðàçìåðíîñòü âû-
áðàííîãî òàêòà.
Äëÿ îïðåäåëåíèÿ çíà÷åíèé “3.”, “4.”,”5.” è “6.” ìîæ-
íî èñïîëüçîâàòü êëàâèàòóðó èíñòðóìåíòà. Äëÿ òîãî,
÷òîáû ýòî ñòàëî âîçìîæíî, ïðåæäå ÷åì íàæàòü íà
êíîïêó “Step Rec”, íàæìèòå íà ïåðåêëþ÷àòåëü
[ACC], ÷òîáû åãî ñâåòîäèîä çàãîðåëñÿ. Ïðè íåîáõî-
äèìîñòè ìîæíî òàêæå îòìåòèòü ïîëå ðàçðåøåíèÿ
èñïîëüçîâàíèÿ îáðàùåíèé àêêîðäîâ “Bass Inv.”.
“Ctrl”: ââîä óïðàâëÿþùèõ ñîáûòèé
Èñïîëüçóåòñÿ äëÿ ââîäà ñîáûòèé âñòóïëåíèÿ/êîäû, ñìåíû âàðè-
àöèè, óñòàíîâîê KBD ASSIGN è çàãðóçêè íîâîãî ñòèëÿ. Ââîä óï-
ðàâëÿþùèõ ñîáûòèé àíàëîãè÷åí ââîäó àêêîðäîâûõ.
1. Ýëåìåíò “Òàêò”: îïðåäåëÿåò òàêò, â êîòîðûé áóäåò ââîäèòü-
ñÿ àêêîðä.
2. Ýëåìåíò “Ïîëîæåíèå”: îïðåäåëÿåò ïîëîæåíèå ââîäèìîãî
àêêîðäà âíóòðè òàêòà â ôîðìàòå “äîëÿ: òèê”.
3. Ýëåìåíò “Òèï ñîáûòèÿ”: ñì. íèæå òàáëèöó ñî ñïèñêîì óï-
ðàâëÿþùèõ ñîáûòèé.
4. Ýëåìåíò “Çíà÷åíèå ñîáûòèÿ”: ñì. íèæå òàáëèöó ñî ñïèñ-
êîì óïðàâëÿþùèõ ñîáûòèé.
5. Êíîïêè “
#
/
$
”: ïåðåìåùåíèå ïî óïðàâëÿþùèì ñîáûòèÿì.
6. Êíîïêà “Delete”: âûáðàííîå ñîáûòèå óäàëÿåòñÿ.
7. Êíîïêà “Put”: âñòàâêà óïðàâëÿþùåãî ñîáûòèÿ â âûáðàí-
íûå òàêò è ïîçèöèþ.
* Ñïèñîê òèïîâ óïðàâëÿþùèõ ñîáûòèé
Èìÿ ñîáûòèÿ Çíà÷åíèå
RhythmStyle 0 — 217 (ñì. ñòð. <78>)
Sty.Element Off, Var1, Var2, Var3, Var4, Int1, Int2, End1,
End2, Fil1, Fil2
Kbd Assign Full, Layer, Split, F-Mute (ìüþòèðîâàíèå
íèæíåãî äèàïàçîíà êëàâèàòóðû äëÿ “Full”),
L-Mute (ìüþòèðîâàíèå íèæíåãî äèàïàçîíà
êëàâèàòóðû äëÿ “Layer”)
Bass Inv. Âûêë./âêë.
Transpose -11 — +11
Drum Mute Play, Mute
Perc Mute Play, Mute
Bass Mute Play, Mute
Acc1 Mute Play, Mute
Acc2 Mute Play, Mute
Acc3 Mute Play, Mute
Upp1 Prog. 0 — 411 (ñì. ñòð. <75>)
Up2/Lo Prog. 0 — 411 (ñì. ñòð. <75>)
Upp1 Oct. -2 — +2
Up2/Lo Oct. -2 — +2
Èñïîëüçîâàíèå ïîøàãîâîãî ðåæèìà
äëÿ ââîäà àêêîðäîâ
Íèæå ïðåäñòàâëåíû íîòíàÿ ïàðòèòóðà è åå ïðåäñòàâëåíèå â
ôîðìàòå äàííûõ ïîøàãîâîãî ðåæèìà. Ïðîöåäóðà ââîäà äàííûõ
îïèñàíà íà ñòðàíèöå <55>.
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